A Quote by Theresa Rebeck

In the theater, there's an emphasis on the singular voice. You know, it's your play. And in television, there's so much institutional involvement. So you end up having to negotiate with a lot of people, and that provides a kind of wear and tear on the spirit.
I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.
Professional football's a tough game. It's a lot of contact. It's a lot of wear and tear on your body. You've got elite athletes running into each other, play after play, at high speeds. And this is something that I love and I enjoy.
One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
Towards the end of my career, I had a lot of wear and tear, a lot of arthritis that was building up. Being 300 pounds for over 15 years was starting to take its toll. I was constantly on all sorts of anti-inflammatories and medicines to deal with the pain.
When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
In animation, no one gets to see your face, so you can really mess up with your voice like I did 'ParaNorman;' I was a bully in that, which was so much fun to do. In 'How to Train Your Dragon,' I'm a little Viking character. So, it's kind of exciting to play these roles that you normally wouldn't get to play in a live-action movie.
I am a theater girl, and a lot of theater girls dress however pleases them. I wear whatever looks good on me. I wear what I wear because I have been shopping at thrift stores since I was five.
What people really want in the theater is fantasy involvement and not reality involvement.
You know in democracy you can protest peacefully and I'm sure you know it will have at least some kind of impact. You need to raise your voice. If you can't do much, you know, but at least raise you voice. Raising your voice is something you need to do.
We got to stop people. We go ahead and we score 100 points every night, but we give up more. Our whole thing was, we know we can score, and we have to start having some kind of fun on the defensive end. Everybody want to play offense. Not too many people want to play defense. Defense is ego, pride, and that's the way we've been coming out, just taking the challenge. Man-on-man first, and having each other's back when a guy gets beat.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
I played soccer my whole life. I'm kind of a heavier person, and whenever you kick and punt, no matter how limited an activity it is, my brain and shoulders are going to be OK because I didn't play a tough guy position, but my knees took a lot of wear and tear from the kicking.
Most of us fill up our lives and end our boredom with our involvement with other people - people we love, people we hate, people we're afraid of, people we're interested in - and that's what keeps our minds going. So if you're sociopathic and you really have no caring for anybody, there's not much left, only boredom, and the way to relieve that, apparently, is to play a game and make sure that you win.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
All four of the actors in 'You're the Worst,' we all have strong theater backgrounds. We all play off of each other in that way that you would in theater. You kind of are up for anything out of the blue happening and getting it on film, you know? We're all just open to playing.
This is the kind of situation that can tear people apart. It tears at the fabric of your soul and can certainly tear at your marriage and ours has gotten only stronger.
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