A Quote by Thiago Silva

We are professional footballers. How to cope with the pressure is one of the things we have to learn. — © Thiago Silva
We are professional footballers. How to cope with the pressure is one of the things we have to learn.
There are three steps you have to complete to become a professional dancer: learn to dance, learn to perform, and learn how to cope with injuries.
Pressure is a combination of expectations, scrutiny and consequences. If the consequences are grave, then you feel more pressure and if you feel more pressure you learn how to cope with that.
When I first started as an editorial cartoonist, I was terrified on a daily basis. Filling that hole the next day, knowing that tens of thousands of people were going to expect something funny. There is still that pressure, but you kind of learn how to cope with it a little better.
You must learn how to handle rejection. To succeed, you must learn how to cope with a little word 'no', learn how to strip that rejection of all its power. The best salesmen are those who are rejected most. They are the ones who can take any 'no' and use it as a prod to go onto the next 'yes'.
You learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you're a New Yorker? The world doesn't owe you a damn thing.
In the past, when we toured countries like Australia or South Africa, we struggled, but we also got to learn a lot, and we learnt to cope with pressure.
I don't know how, at an age when you're trying to put your identity together, how you cope with the pressure of a performance space, which is what social media is.
Kids want to be professional footballers and I think they need to know what it takes to get there - you know, the dedication. People see footballers playing on a Saturday afternoon in front of the TV cameras, but from a Monday to Friday people don't really see what goes on.
As a professional track cyclist, I have always challenged myself, and I enjoy seeing how I cope when faced with the unknown.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
Education is not just you learn how a mosquito flies in the rain, but you learn how to be creative and why it's exciting to learn things and create things and make up new things.
I won't name them, but we have family friends who are professional footballers, so I grew up around these types. I was around when they retired, and I know how difficult that transition is.
You do learn how to cope from those who are coping.
I believe the only thing that we really have control over is our attitude. If we focus on the positive things in our lives and learn how to cope with all the surprises, we will be happier people.
Very rarely are you going to see the large shareholder or CEO of a corporation march into a newsroom and say, "Cover this story, don't cover that." It's a much more subtle process. The professional code adapts, but what we try to see, is how commercial and corporate pressure shape both the professional code and the sorts of things that are considered legitimate journalism and illegitimate journalism.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
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