A Quote by Thierry Henry
There's just something about Highbury that is difficult to describe. When you first arrive, you hardly see the stadium and wonder where it is but then you find it between two blocks of flats
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[Not enough is known about solid geometry] and for two reasons: in the first place, no government places value on it; this leads to a lack of energy in the pursuit of it, and it is difficult. In the second place, students cannot learn it unless they have a teacher. But then a teacher can hardly be found.
I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.
The two designs are completely different. The first is totally futuristic, the second is more classical. You can of course get very excited about doing something completely out of the ordinary, just like the Olympic stadium in its time. But each to his or her own taste.
I find it very difficult to see the boundary between womenswear and menswear. It's bizarre the ways in which society reacts; they find it difficult to comprehend seeing parts of the body on a man. I think it's fascinating.
We grew up in an age of playing reserve team football at the stadium. If the first team were playing away, you'd be playing at home, at Highbury, and there would be one man and his dog there. Even though you'd psych yourself up, you still don't get that push.
Though I didn't quite plan it that way, I had my two sons at just about the same ages my mother saw me and my sister off to college, and my first novel was published when I was 46. This 'tardiness' isn't something I'm proud of, but I'm happy to be an inspiration to others who arrive at these milestones later than most of us do.
It's starts out young- you try not be different just to survive- you try to be just like everyone else- anonymity becomes reflexive- and then one day you wake up and you've become all those other people- the others- the something you aren't. And you wonder if you can ever be what it is you really are. Or you wonder if it's too late to find out.
Though I know that he had something to do with the attack simulation, and with all those deaths, I find it difficult to pair those actions with the man I see in front of me. I wonder if this is how it is with all evil men, that to someone, they look just like good men, talk like good men, are just as likeable as good men.
I still miss the players and I miss the game and the strategy. The first couple years were really difficult. Now I realize I'll never coach again. It's still hard to go into the stadium on a game day, because it's hard to just be a fan. But it's easier now than it was the first two or three years.
What the enlightened person sees no one could ever tell or describe. Wonder beyond belief. We live in a universe filled with wonder. It is wonder just to live.
It's difficult for me to describe my own music; every song is an experience that I set to music. There's no lyrics, no singer, just instruments, but I'm sure you can feel what the song is talking about just by listen to it. I can't describe a feeling, my songs are feelings.
The experience of being in between-between the time we leave home and arrive? at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith. It is like the time when a trapeze artist lets go the bars and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, or extraordinary aliveness.
To use two languages familiarly and without contaminating one by the other, is very difficult; and to use more than two is hardly to be hoped. The prizes which some have received for their multiplicity of languages may be sufficient to excite industry, but can hardly generate confidence.
I used to live with two other guys. We used to cook two things. The first one was called 'cheese... thing' and that was where you get something and you melt cheese over it and the first one to guess what it is doesn't have to wash up. That's obviously quite Mediterranean; the other one was less complex. It was just called 'cheese fantasy.' That's where you come in, very drunk, at about five in the morning and find an apple and just pretend there's some cheese on it.
When you see love between two persons, something is flowing, moving, changing. When there is love between two persons they live in an aura, there is a constant sharing. Their vibrations are reaching to : each other; they are broadcasting their being to each other. There is no wall between them, they are two and yet not two - they are one also.
It's not that difficult to find the rage or the anger. We all have that in us, and luckily, actors and actresses get to portray it, and it's not frowned upon. Everybody has that in them. Everybody has wanted to kill somebody at one time or another. Everybody has been really, really angry about something, so if you just call on that in yourself, you find it's not that difficult.
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