A Quote by Thiruvalluvar

To get wealth and security by guile
Is like one who pours water into a pot of unbaked clay. — © Thiruvalluvar
To get wealth and security by guile Is like one who pours water into a pot of unbaked clay.
Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is 'I-consciousness'. Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of 'I' exists. When the 'I' disappears, what is remains. That cannot be described in words.
Time is the water in which we live, and we breathe it like fish. ... Time pours into us and then pours out again. In between the two pourings we live our destiny.
In creation myths, a god shapes mud or clay into living form, much like a potter throws a pot or a sculptor reveals the statue within a block of marble. But a writer has to create his own clay or stone before he can begin shaping life from it.
God can take what Satan meant for shame and use it for His glory. Just when we think we've messed up so badly that our lives are nothing but heaps of ashes, God pours His living water over us and mixes the ashes into clay. He then takes this clay and molds it into a vessel of beauty. After He fills us with His overflowing love, He can use us to pour His love into the hurting lives of others.
Life gives us clay; it is we to make a pot out of it! But sometimes it gives us pot; it is again we to keep it in one piece, as a pot! All jobs are ours! Life only gives things and it has no other responsibility!
This clay, so strong of heart, of sense so fine,Surely such clay is more than half divine--'Tis only fools speak evil of the clay,The very stars are made of clay like mine.
For as from the same piece of clay a potter may fashion either a pot or a tile, so the Devil may shape a witch into a wolf or a cat or even a goat, without subtracting from her and without adding to her at all. For this occurs just as clay is first molded into one, then shaped into another form, for the Devil is a potter and his witches are but clay.
Time jumps. It leaps. It pours away like water through fingers.
I like pot, I enjoy pot, I like to smoke it. But, the one thing I don't like about pot is the subculture it's spawned. I think it's embarrassing and really juvenile and uncreative
The world turns softly Not to spill its lakes and rivers, The water is held in its arms And the sky is held in the water. What is water, That pours silver, And can hold the sky?
If you throw a frog in a pot of boiling water, it will hop right out. But if you put that frog in a pot of tepid water and slowly warm it, the frog doesn't figure out what going on until it's too late. Boiled frog. It's just a metter of working by slow degrees.
A cat pours his body on the floor like water. It is restful just to see him.
Nadal is just more at home on clay. It looks like he feels safer on clay courts. He can get to a few more balls, he can play a bit further behind the baseline when he defends, and he's also able to get the ball to bounce higher. It's unbelievable.
The only way Congress can get one dollar to spend is to take that one dollar from Americans, borrow that one dollar from Americans, or inflate that one dollar from Americans. So, it's very much like the visual image of a swimming pool. A person notes there is a shallow end, so he takes the water out of the deep end and pours it in the shallow end, hoping to raise the height of the water in the pool - and you would call that person stupid.
I got a smile that'll make the mirror crack, And I seem to stay under clouds that's pitch black. So when it rains, it pours, and when it pours, I'm soaked. I contracted lung cancer from third hand smoke, And I'm like the frog that's dying to be a prince, The boy who cried wolf and no one was convinced. The man who hit lotto and lost his ticket, In a rainstorm...and struck by lightning trying to get it.
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
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