A Quote by Thom Browne
Doing womenswear is challenging, and it's exciting. I approach it the same way as I approach menswear, so it's in a tailored way, and I do my thing. I love doing it.
Related Quotes
I didn't invent hot water. But when I approach menswear, I do it in a very honest way. And my menswear and womenswear are very similar, in the sense that I put men in leggings and lace shirts.
Sometimes you feel some artists are doing the same thing that you're doing but in a different field. But they have the same approach. Their method of research and gathering data is the same as yours.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
Every job, once you get there and start doing it, you approach it the same way. And it does become a serious thing, because it's not easy to do, even something silly. You still have to be professional and perform.
I love to work in all sorts of different situations. I think you learn a lot, which is why I try not to approach something the same way, because it might not be appropriate, and then you can get lazy just out of boredom. So I love any approach.
I think, actually, any morality system that rewards only the extremes is a flawed system. Players don't approach life that way, they don't approach games that way, and they shouldn't be trained to approach games that way. They shouldn't be in the 'Star Wars' mode where, 'I've got to choose every good option.'
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
Innovation is doing something in a different way, but it also has a subtext: When there's an established way, and that way is considered the best practice and how it's traditionally been done, innovation comes by and says 'Let's try a different approach.' It doesn't need to be big or company-wide - it could be a single thing.
The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?
I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
The whole thing about the way I approach work is to be surprised by an opportunity when it comes up. So I have no idea what I will be doing next, and I kind of like that.
I approach beauty the same way I approach clothing - I think people should do whatever to themselves to make them feel more comfortable in their skin.
I approach the heptathlon and life in the same way in that I not only want to be good at what I am doing, but I want it to mean something.
My approach to 'Eastenders' is the same as my approach to film and the same approach to theatre. Whatever I do, I use the same skills and tools.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
I'm just a guy that grew up in a total fun-loving environment. I try to create that everywhere I go. Basically what I'm doing is a reflection of me as an individual, me naturally. I'm not staging or putting on anything. I think my approach to the game is an all-out approach, whatever it takes to win. I've always been that way.
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