A Quote by Thom Browne

I've always been drawn to the American style in the late '50s and '60s. — © Thom Browne
I've always been drawn to the American style in the late '50s and '60s.
My mom would always play me a lot of late-'50s, late-'60s rock.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
I had always been interested in politics. I had assumed - for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
I had always been interested in politics. I had assumed, for a variety of - well, for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
'The Sopranos' wardrobe people would sometimes go over there and just grab stuff off the racks, because B&G has that style that never ages. It's like a '50s or '60s style. It fits me well.
I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.
I like '50s and '60s American art. I have 85 or 90 Warhols.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
The first famous winemaking consultant was the late professor Emile Peynaud, who reigned over Bordeaux throughout the 1940s, 50s, 60s and 70s.
The first famous winemaking consultant was the late professor Emile Peynaud, who reigned over Bordeaux throughout the 1940s, '50s, '60s and '70s.
I feel that we are currently living in a world that is similar to late '50s, early '60s kind of world.
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