A Quote by Thom Gunn

There have been two popular subjects for poetry in the last few decades: the Vietnam War and AIDS, about both of which almost all of us have felt deeply. — © Thom Gunn
There have been two popular subjects for poetry in the last few decades: the Vietnam War and AIDS, about both of which almost all of us have felt deeply.
The Vietnam War and the Iraq war, in different ways, both made me feel like I could not not address them. I'm very doubtful about the usefulness of poetry to do that.
Most of us who were opposed to the war, especially in the early '60's - the war we were opposed to was the war on South Vietnam which destroyed South Vietnam's rural society. The South was devastated. But now anyone who opposed this atrocity is regarded as having defended North Vietnam. And that's part of the effort to present the war as if it were a war between South Vietnam and North Vietnam with the United States helping the South. Of course it's fabrication. But it's "official truth" now.
In the last two or three decades, there's been a feminization of the man in popular media that I've never really understood.
Over the last few decades, I've grown more skeptical about a few things in which I used to have more faith. I believe as much in the necessity of, and the possibility of, revolution as I ever did. At the same time, I've grown more skeptical about poetry's role in it or art's contribution to it, and I've grown more skeptical about the university. Universities are big companies, and they're disciplinary in the way that any big institution is. I've found that the political militancy that the professoriate has mostly been fairly repressive of what I take to be necessary politics.
There are two things that have been happening over the last few decades in my opinion. First, there have been unbelievable, remarkable, pioneering advances in technology and, second, an equal amount of evolution in creativity. These two shifts are meeting at an intersection.
Pirate historians have now discovered social history, the branch of history which in the last two decades or so has been the most dynamic and inventive, in both senses of the word.
I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer.
About Grade 9 and Grade 10, I had a fantastic drama teacher, and it was one of the first subjects I actually felt that I was good at. I wasn't a mathematician. Didn't like science, any of those subjects. English and Drama were the two subjects that I loved and felt that I was good at.
I think that the war on drugs is domestic Vietnam. And didn't we learn from Vietnam that, at a certain point in the war, we should stop and rethink our strategy, ask ``Why are we here, what are we doing, what's succeeded, what's failed?'' And we ought to do that with the domestic Vietnam, which is the war on drugs.
This comes from a group of people who`ve been wrong about every foreign policy issue over the last two decades. They supported Hillary Clinton`s war in Libya. They supported President [Barack] Obama`s bombing of Assad.
With Vietnam, the Iraq War, so many American films about war are almost always from the American point of view. You almost never have a Middle Eastern character by name with a story.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
Alright, let's tackle the worst part of this pandemic: people are dying, or they're worried about their loved ones dying - and it's hard not to spiral out. After almost two decades at war, this has been the reality for military families for a very long time. Welcome to our club.
For me, the passing of time has provided me with subjects I never had before. Subjects I can now look at from a historical perspective. Like the anti-communist era in America. I lived through that. I was a boy; I didn't find a way to write about it until many years later. The same with the Vietnam War.
Pure photography allows us to create portraits which render their subjects with absolute truth, truth both physical and psychological. That is the principal which provided my starting point, once I had said to myself that if we can create portraits of subjects that are true, we thereby in effect create a mirror of the times in which those subjects live.
Truman fired the popular Gen. Douglas MacArthur because he disobeyed orders in the Korean War. Johnson knew that he had reached the endgame in Vietnam when Gen. William Westmoreland, the top commander in Vietnam, requested 240,000 more troops in 1968 for the prolonged war that also could not be won.
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