A Quote by Thom Mayne
I've learned that in order to achieve what I wanted, it made more sense to negotiate than to defend the autonomy of my work by pounding my fist on the table.
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The individual in the ordinary circumstances of living may feel more unreal than real; in a literal sense, more dead than alive; precariously differentiated from the rest of the world, so that his identity and autonomy are always in question.... He may not possess an over-riding sense of personal consistency or cohesiveness. He may feel more insubstantial than substantial, and unable to assume that the stuff he is made of is genuine, good, valuable. And he may feel his self as partially divorced from his body.
I learned from the Macarturos. I had never been at a table with a labor organizer and a playwright and a performance artist and an anthropologist and a human rights lawyer. Usually at most gatherings, it's all writers. But suddenly I was at a table with all these different people and I learned from each of them, learned from the work they're doing, learned new ways to solve my problems.
I think that there's some brainwashing going on with this idea that we don't have time to cook anymore. We have made cooking seem much more complicated than it is, and part of that comes from watching cooking shows on television-we've turned cooking into a spectator sport. ...My wife and I both work, and we can get a very nice dinner on the table in a half hour. It would not take any less time for us to drive to a fast-food outlet and order, sit down, and bus our table.
Leadership in today's world requires far more than a large stock of gunboats and a hard fist at the conference table.
The lesson of all history warns us that we should negotiate only when our military superiority is so convincing that we can achieve our objective at the conference table, and deny the aggressor theirs.
Art gives a sense of order, life is basically chaotic, and there's a tension between them. A sense of order comes from chaos and contains a bit of it, but it's the sense of order that is important in a work of art.
Find the autonomy in your work. Autonomy is key to feeling good about the work you do, no matter what kind of work it is.
More often than not, changes had to be made in order for a song to make sense, and by the end of it, it would just be something different. Lyrically, I am usually fairly confused until something is finished, and then it makes perfect sense to me.
I deplored a system that made it more profitable not to work than to work. I wanted to help change all that.
So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.
I learned early that if I wanted to achieve anything in life, I'd have to do it myself. I learned that I had to be accountable.
I felt that the Church was the Church of the poor,... but at the same time, I felt that it did not set its face against a social order which made so much charity in the present sense of the word necessary. I felt that charity was a word to choke over. Who wanted charity? And it was not just human pride but a strong sense of man's dignity and worth, and what was due to him in justice, that made me resent, rather than feel pround of so mighty a sum total of Catholic institutions.
I learned what it is to live in the open air, and I learned that our lives are domestic in more sense than we think.
Every failure made me more confident. Because I wanted even more to achieve as revenge, to show that I could.
Fellini was more in love with breasts than Russ Meyer, more wracked with guilt than Ingmar Bergman, more of a flamboyant showman than Busby Berkeley... Amarcord seems almost to flow from the camera, as anecdotes will flow from one who has told them often and knows they work. This was the last of his films made for no better reason than Fellini wanted to make it.
In order to defend the Chinese race, one must first defend the Confucian culture; and in order to defend the Confucian culture, one must first defend the State. This is because what preserves the race relies upon intelligence, which is in turn nurtured by Confucian education.
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