A Quote by Thom Mayne

The huge problem in our society is the enormous ignorance of the ideas that underlie modern art. — © Thom Mayne
The huge problem in our society is the enormous ignorance of the ideas that underlie modern art.
We have heard of a Society for the Diffusion of Useful Knowledge. It is said that knowledge is power, and the like. Methinks there is equal need of a Society for the Diffusion of Useful Ignorance, what we will call Beautiful Knowledge, a knowledge useful in a higher sense: for what is most of our boasted so-called knowledge but a conceit that we know something, which robs us of the advantage of our actual ignorance? What we call knowledge is often our positive ignorance; ignorance our negative knowledge.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
I dream of Poland becoming a modern society that is defined not by the crippling nature of history, but by our individual achievements, a sense of our own self-worth and ideas for the future.
The full implications of feminism will evolve over time, as we organize, experiment, think, analyze, and revise our ideas and strategies in light of our experiences. No theory emerges in full detail overnight; the dominant theories of our day have expanded and changed over many decades. That it will take time should not discourage us. That we might fail to pursue our ideas - given the enormous need for them in society today - is unconscionable.
Modern stupidity means not ignorance but the nonthought of received ideas
I have always maintained that the one important phenomenon presented by modern society is - the enormous prosperity of Fools.
The big problem of our modern society is that we feel that we are separated from the nature. But it's just the opposite. We are interrelated and our DNA is the same. And only when human beings understand that, the nature will not be obstacle.
Where LGBT and mental health issues collide is over stigma. And stigma is society's problem not the problem of the LGBT or mental health community. What we have to deal with is the ignorance, fear and prejudice that blight the lives of those who have nothing wrong with them in any moral or transgressive sense. It is society that is ill.
There's just so many facets, I think, of the ignorance in our society that have to be corrected if we're really going to have a democratic society and a society that is just and that respects all of the members of this society regardless of who they are, what color they may be, what sexual orientation that they have or what gender, you know, they happen to be.
When I was in Wuhan, I went to the art school, which was one of the most important art schools in China, an enormous art school. One of the things that I saw is that the schools are very big and there are so many students. It is very difficult to me to teach creative activity to great numbers of people, because I think you need personal contact with students, you need to speak individually, you need individual contact between teachers and students, you need continuity. To me this is a problem in mass education in every society now.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
Our society values alert, problem-solving consciousness, and it devalues all other states of consciousness. Any kind of consciousness that is not related to the production or consumption of material goods is stigmatized in our society today. Of course we accept drunkenness. We allow people some brief respite from the material grind. A society that subscribes to that model is a society that is going to condemn the states of consciousness that have nothing to do with the alert problem-solving mentality.
Overconsumption and overpopulation underlie every environmental problem we face today
I'm a huge fan of the Rod Serling sci-fi, where they could take the most odd and enormous ideas but ground them in something very human.
[Comics is] one of the last havens for honesty when it comes to a reader's genuine response to art. Most of us, if we don't find any sympathy or pleasure, for example, in a modern painting, are likely to blame our own ignorance of the history and theory of painting. But nobody pretends to like a bad comic strip. Such harshness is necessary for any real truth to surface, I think, and for art to really contribute anything to life. Though I don't know. I could be wrong.
The problem of living in this modern world is the problem of finding room in it. The crowd principle is so universally at work through modern life that the geography of the world had been changed to conform to it. We live in crowds. We get our living in crowds. We are amused in herds.
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