A Quote by Thom Yorke

Sex is more than an act of pleasure, it’s the ability to be able to feel so close to a person, so connected, so comfortable that it’s almost breathtaking to the point you feel you can’t take it. And at this moment you’re a part of them.
Kinky is using a feather. Perverted is using the whole chicken. Sex is more than an act of pleasure, its' the ability to be able to feel so close to a person, so connected, so comfortable that it's almost breathtaking to the point you feel you can't take it. And at this moment you're a part of them. The difference between light and hard is that you can sleep with a light on. Sexiness wears thin after a while and beauty fades, but to be married to a man who makes you laugh every day, ah, now that's a real treat.
The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore.
The older I get and the more iconic the piece, I believe that it's wise to watch a bit and become inspired and take moments that feel so connected to the story and also connected to me that I feel like I can make a part of my own performance.
I feel a different person in a lot of ways. I feel much more professional and dedicated to my trade than I used to be. I appreciate this ability I've got - and don't take it for granted any more. That fits every aspect of my life now.
I feel quite connected to the past, and my memory. Everything that I've ever done I can still relate to, and feel connected to it in a way. There's no part of my life that I look at and go, 'I don't recognize that person at all.'
I feel quite connected to the past, and my memory. Everything that I've ever done I can still relate to, and feel connected to it in a way. There's no part of my life that I look at and go, 'I don't recognize that person at all.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I'm clearly doing what I want. I hope kids can see my act and feel like they can be slightly more comfortable in their own skin because I'm being so ridiculously comfortable in mine. I'm not that comfortable in my skin the moment I walk offstage. But I try to project that while I'm on it.
I happen to be a very passionate person, so when I first feel emotional pain, I take it very hard. I'll more than likely have a mild breakdown for a few moments, but I allow myself to feel these emotions, release them, and learn to use that hurt as my strength for change. I believe that you can take all experiences and use them as knowledge and fuel to be a better person.
Selflessness. It should be the basis of every relationship. If a person truly cares about you, they'll get more pleasure from the way they make you feel, rather than the way you make them feel.
For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.
People feel so much more comfortable bullying behind a screen than in person. It gives them a mystique and makes them say things that they would never be strong enough to say in person.
However much we may feel for the misery of someone close to us, we always act with some artificiality in their presence. We hold-back from telling them everything we think, often because we do not genuinely mean what we say; or because we take a pleasure in their plight, thankful that we are not affected.
Each precious moment of your life in which you are frozen with fear is a moment when you are not being all you can be. In the end, that hurts more than anything. Succeeding or failing does not determine if we are surviving or living. Rather it is in our ability to reach beyond our present self-imposed definition of who we are, and to risk becoming more, that we are able to feel fully alive.
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