A Quote by Thom Yorke

I don't know why people called me Tom. My name is THUMB. — © Thom Yorke
I don't know why people called me Tom. My name is THUMB.
What's your name?" "Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer." "That's the name they lick me by. I'm Tom when I'm good. You call me Tom, will you?" "Yes
Why, Tom - us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people - we go on.' 'We take a beatin' all the time.' 'I know.' Ma chuckled. 'Maybe that makes us tough. Rich fellas come up an' they die, an' their kids ain't no good, an' they die out. But, Tom, we keep a-comin'. Don' you fret none, Tom. A different time's comin'.
Oh the thumb-sucker's thumb May look wrinkled and wet And withered, and white as the snow, But the taste of a thumb Is the sweetest taste yet (As only we thumb-sucker's know).
People call me left of centre, they don't even know why left is called left and why right is called right. They have no clue. These are just you know jargons - created and marketed.
Some black people who have not heard me interviewed or read my book jump to conclusions and prejudge me... I've been called Uncle Tom. I've been called an Oreo.
Something a lot of people don't know about me is I sucked my thumb until I was in like eighth grade. It's cause, when I was a baby, I sucked my thumb and I guess my mom and dad never weaned me off of that, because they thought it was cute. And then it's like an addiction. That's your security blanket.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
It was never a conscious decision - I was introducing myself as Duffy and my friends were calling me Duffy, so I just knocked off the first half of my name. For me it's no big deal, but a lot of people want to unearth why I've called myself this. It's just what I'm known as, you know.
Everyone has always called me by my last name. Once people get to know me, they don't call me Sara anymore.
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased, we are glad. If they are not, it doesn't matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
People sometimes come up to me and call me Tiger Tim. Why am I called that? I don't know, it starts with T and I don't know. It has stuck.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I remember Tom Stoppard saying to me when I came out, 'I feel so sorry for you, because you'll never have children.' These days I would say, 'Well, why not, Tom?'
I'm actually called Bang, a quite common name in Denmark where I'm from, so it's not like me trying to come up with a very stupid name for people to remember me or something.
I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
I don't know why you people [the press] like to compare me to Marilyn or that girl, what's her name, Kim Novak. Cleavage, of course, helped me a lot to get where I am. I don't know how they got there.
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