A Quote by Thom Yorke
At the KFC there's, lot of black people there innit *laughs*
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KFC is not black owned, but it sure knows to market heavily to African Americans - obviously hoping we won-t care about what they do the underdog, or in this case, the underchicken - So, if KFC wants to take our money and use it to pay for sloppy practices that hurt animals?I say we send them a message that this is not going to happen. I-m calling on people to boycott KFC until they adopt animal welfare systems recommended by PETA and until they stop the worst abuses of the birds they raise for their restaurants.
What KFC does to 750 million chickens each year is not civilized or acceptable, and you can help change that. Cruelty is cruelty, and KFC is being cruel in the extreme. I am calling for a boycott of all KFC restaurants until my friends at PETA tell me that you have agreed to be kinder in your practices.
The world's a jungle in my eyes, innit? Everything's tribal. If you see someone who don't look like you - especially the colour of your skin - you're going to be suspicious, or not as welcoming or warming, innit? I've learned not to take it too personal.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.
There are a lot of laughs in this movie, but it's not just about the laughs. It's really about the story, about a guy who finds his soul and realizes what's truly important.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
The Dominican Republic says 'We're black behind the ears.' And in Mexico, 'there's a black grandma in the closet.' They know, they've just been intermarrying for a long time. But if we did the DNA of everyone in Mexico a whole lot of people would have a whole lot of black in them.
I always have to come back to shows to take out the improvements actors have put in. Laughs are addictive, and sometimes they're good laughs, and sometimes they're bad laughs.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
A buddha laughs too, but his laughter has the quality of a smile. His laughter has the feminine quality of grace. When an ignorant person laughs, his laughter is very aggressive, egoistic. The ignorant person always laughs at others. The contented person, the person who knows life a little, laughs at himself - at the whole play of life itself. It is not addressed to anybody in particular. He just laughs at the absurdity of it all... the impossibility of it all.
My mom was like, 'You talk so much. You have too much energy. Why don't you just join the play or something?' It was a comedy, and I got laughs in rehearsal, but onstage, in front of a whole audience, I got a lot of laughs.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor.
There's an examination for young people to go to university. I failed it three times. I failed a lot. So I applied to 30 different jobs and got rejected. I went for a job with the police; they said, 'You're no good.' I even went to KFC when it came to my city. Twenty-four people went for the job. Twenty-three were accepted.
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