A Quote by Thom Yorke

We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us. — © Thom Yorke
We didn't start out to make a protest record at all. That would have been too shallow. As usual, it was simply a case of absorbing what's going on around us.
But everyone cannot be there, and that is why photographers go there - to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on - to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference - to protest and by the strength of that protest to make others protest.
I'm usually going to make a record, finish a record, start a record or start a tour or between tours.
Imagination begins when it' s raining too hard to go out and play and you become really absorbed in something you would never have thought of doing had the sun come out as usual. In which case, thank God for the rain.
Part of what's unique about climate change, though, is the nature of some of the opposition to action. It's pretty rare that you'll encounter somebody who says the problem you're trying to solve simply doesn't exist. When President Kennedy set us on a course for the moon, there were a number of people who made a serious case that it wouldn't be worth it; it was going to be too expensive, it was going to be too hard, it would take too long. But nobody ignored the science. I don't remember anybody saying that the moon wasn't there or that it was made of cheese.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
I've never made a dime from a record sale in the history of my record deal. I've been very happy with my sales, and certainly my audience has been very supportive. I make a living going out and playing shows.
I used to go to the Church of the Harvest, right off Adams and La Brea. There was a pastor there who had the best big choir and the best band. He would start praying, and the music would start playing and just make people feel so good, you could break out of whatever you were going through. Soft music can have that effect, too.
We would make our heroes shallow.... We would make them brittle. It is they who must remind us of the true meaning of strength.
I know there's this idea going around that I bury The Young Bucks on commentary but that's never been the case. If anything, I've only treated them harshly as heels. That's it. When they started turning around from being a heel to a face, it's a whole different story. That's simply a matter of how I see commentary as opposed to beef.
It took me a couple of years after I got out of Berkeley before I dared to start writing. That academic mind-set - which was kind of shallow in my case anyway - had begun to fade.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
Around the time I dropped out of college, I decided to start taking what I liked about short stories and apply it to writing songs - to make these things that would change and keep going.
I was absorbing a sorry truth of show business - rejection is the norm and acceptance the oddity. I was learning to cut the tops off my highs and stay with the lows where the rejections and letdowns would be shallow.
My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
It's the Labour Government that have brought us record peacetime taxation. They've got the usual Socialist disease - they've run out of other people's money.
This site uses cookies to ensure you get the best experience. More info...
Got it!