A Quote by Thom Yorke

Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
I've also been writing for other artists, producing other artists, doing some country stuff. Those lyrics I tend to leave more universal.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
I tend to not try and listen to a lot of other artists while I'm writing, because if I hear something that's brilliant.
A lot of issues that we have in the world today rise from the fact that we do not know enough about each other's cultures, that we don't respect each other's origins and there is so much negativity and strife around because we don't know where the other person is coming from.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
I think that it'd be nice for other Asians to support other Asian artists and help each other instead of pull each other down.
I think the four land artists I showed all worked within a few years of each other. And they were standard bearers, I suppose, for land art. They each did very separate things. Apparently, later in California, a lot of artists started working in that medium and there was something of a rush of earthworks. But I wasn't involved with that.
At a festival, a lot of people came to see other artists, so you have to put on a signature set and performance: 'This is what I do, this is why I'm here.' At solo gigs, I'm a DJ - I'll play two-and-a-half hours, and not just my own music, also my favorite songs by other artists.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
We have to see that we're a part of each other, and we have to take care of each other. The reason why they have universal health care in Canada and Britain, these other places? Because they believe if one suffers, everybody suffers.
I'm aware of the other drag artists with makeup lines, and I celebrate them. The pie is big and there's room for everybody.
I think I'm inspired mostly by other artists that aren't actors, like writers or singers or artists, for being so brave.
This site uses cookies to ensure you get the best experience. More info...
Got it!