A Quote by Thomas Moore
Quote from CARE OF THE SOUL...Thomas Moore ...to the soul, the most minute details and the most ordinary activities, carried out with mindfullness and art, have an effect far beyond their apparant insignificance.
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The good qualities in our soul are most successfully and forcefully awakened by the power of art. Just as science is the intellect of the world, art is its soul.
The man, most man,
Works best for men, and, if most men indeed,
He gets his manhood plainest from his soul:
While, obviously, this stringent soul itself
Obeys our old rules of development;
The Spirit ever witnessing in ours,
And Love, the soul of soul, within the soul,
Evolving it sublimely.
Art, although produced by man's hands, is something not created by hands alone, but something which wells up from a deeper source out of our soul.....My sympathies in the literary as well as in the artistic field are drawn most strongly to those artists in whom I see most the working of the soul.
As far as we can discern, the sole purpose of human existence is to kindle a light of meaning in the darkness of mere being.
Your vision will become clear only when you look into your heart ... Who looks outside, dreams. Who looks inside, awakens.
The dream is the small hidden door in the deepest and most intimate sanctum of the soul, which opens to that primeval cosmic night that was soul long before there was conscious ego and will be soul far beyond what a conscious ego could ever reach.
Maybe it's true what Thomas Moore said: “It is only through mystery and madness that the soul is revealed.
Unquestionably the truth or fallacy of the theory of the survival of the soul is by far the most tremendous question that can exercise the human mind. The more you think of it, the more all other questions seem to sink into utter insignificance, for only if survival be true, can the Universe be rationalized at all.
No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.
There is great danger, yea many times most danger, in the smallest sins... Greater sins do sooner startle the soul, and awaken and rouse up the soul to repentance, than lesser sins do. Little sins often slide into the soul, and breed, and work secretly and undiscernibly in the soul, till they come to be so strong, as to trample upon the soul and to cut the throat of the soul.
The soul is both the most fragile and most resilient thing about you; a healthy soul is what holds you together when your world falls apart. Since you will carry your soul into eternity, it's worth checking up on it at least as often as your teeth.
Your soul is that part of you that existed before you were born and will continue to exist after you die. So as you become aware of yourself as a soul as well as a personality, the new understanding of power becomes aligning your personality with your soul, with the highest, most noble, most healthy part of yourself that you can imagine or reach for. The intentions of your soul are harmony, cooperation, sharing, and reverence for life.
Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness.
In creating a work of art, the psyche or soul of the artist ascends from the earthly realm into the heavenly. There, free of all images, the soul is fed in contemplation by the essences of the highest realm, knowing the permanent noumena of things. Then, satiated with this knowing, it descends again to the earthly realm. And precisely at the boundary between the two worlds, the soul’s spiritual knowledge assumes the shapes of symbolic imagery: and it is these images that make permanent the work of art. Art is thus materialized dream, separated from the ordinary consciousness of waking life.
But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.
But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
Pythagoras said that the most divine art was that of healing. And if the healing art is most divine, it must occupy itself with the soul as well as with the body; for no creature can be sound so long as the higher part in it is sickly.
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