A Quote by Thomas Aquinas
Beauty adds to goodness a relation to the cognitive faculty: so that "good" means that which simply pleases the appetite; while the "beautiful" is something pleasant to apprehend.
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You can be good for the mere sake of goodness; you cannot be bad for the mere sake of badness. You can do a kind action when you are not feeling kind and when it gives you no pleasure, simply because kindness is right; but no one ever did a cruel action simply because cruelty is wrong - only because cruelty is pleasant or useful to him, In other words, badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. And there must be something good first before it can be spoiled.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
There is a certain standard of grace and beauty which consists in a certain relation between our nature, such as it is, weak or strong, and the thing which pleases us. Whatever is formed according to this standard pleases us, be it house, song, discourse, verse, prose, woman, birds, rivers, trees, room, dress, and so on. Whatever is not made according to this standard displeases those who have good taste.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
In the most general terms, the Enlightenment goes back to Plato's belief that truth and beauty and goodness are connected; that truth and beauty, disseminated widely, will sooner or later lead to goodness. (While we're making at effort at truth and goodness, beauty reminds us what we're hold out for.)
God who is goodness and truth is also beauty. It is this innate human and divine longing, found in the company of goodness and truth, that is able to recognize and leap up at beauty and rejoice and know that all is beautiful, that there is not one speck of beauty under the sun that does not mirror back the beauty of God.
To feel most beautifully alive means to be reading something beautiful, ready always to apprehend in the flow of language the sudden flash of poetry.
Christianity sees plants and flowers as created by God to show forth and share with humans the divine goodness, beauty and truth - the purpose of all Creation. In this flowers may be enjoyed simply and directly in themselves as showing forth God's goodness and beauty, or, more fully, as archetypes, signatures, symbols, and bearers of legends, mirroring the revealed articles of Christian faith - thereby serving as means for their teaching, recollection, contemplation and celebration.
It is not that which is beautiful that pleases us, but that which pleases is is called beautiful.
Beauty satisfies the senses completely and at the same time uplifts the soul. That which gratifies the senses is pleasant, and that which uplifts the soul without being sensual in the least is good, true, right, anything you like, but not beautiful.
Man is not a mind that thinks, but a being who knows other beings as true, who loves them as good and who enjoys them as beautiful. For all that which is, down to the humblest form of existence, exhibits the inseparable privileges of being, which are truth, goodness, and beauty.
There do remain dispersed in the soil of human nature divers seeds of goodness, of benignity, of ingenuity, which, being cherished, excited, and quickened by good culture, do, by common experience, thrust out flowers very lovely, and yield fruits very pleasant of virtue and goodness.
Now the goodness that we have to consider is clearly human goodness, since the good or happiness which we set out to seek was human good and human happiness. But human goodness means in our view excellence of soul, not excellence of body.
Outward beauty is a true sign of inner goodness. This loveliness, indeed, is impressed upon the body in varying degrees as a token by which the soul can be recognized for what it is, just as with trees the beauty of the blossom testifies to the goodness of the fruit.
Good design is a Renaissance attitude that combines tech, cognitive science, human need and beauty to produce something.
We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.
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