A Quote by Thomas B. Macaulay

In the plays of Shakespeare man appears as he is, made up of a crowd of passions which contend for the mastery over him, and govern him in turn. — © Thomas B. Macaulay
In the plays of Shakespeare man appears as he is, made up of a crowd of passions which contend for the mastery over him, and govern him in turn.
My little one's only 12 and I miss seeing him grow up and trying to form him and mould him the way I'd like him to him to turn out, which is something like his dad!
The war had made a man of him! It had coarsened him and hardened him. There was no other way to look at it. It had made him reach a point at which he would no longer stand unbearable things.
The mockery made him feel an outsider; and feeling an outsider he behaved like one, which increased the prejudice against him and intensified the contempt and hostility aroused by his physical defects. Which in turn increased his sense of being alien and alone. A chronic fear of being slighted made him avoid his equals, made him stand, where his inferiors were concerned, self-consciously on his dignity.
His constant fight is with the Nafs (self-interest), the root of all disharmony and the only enemy of man. By crushing this enemy man gains mastery over himself; this wins for him mastery over the whole universe, because the wall standing between the self and the Almighty has been broken down. Gentleness, mildness, respect, humility, modesty, self-denial, conscientiousness, tolerance and forgiveness are considered by the Sufi as the attributes which produce harmony within one's own soul as well as within that of another.
Man is a marvelous curiosity...he thinks he is the Creator's pet...he even believes the Creator loves him; has passion for him; sits up nights to admire him; yes and watch over him and keep him out of trouble. He prays to him and thinks he listens. Isn't it a quaint idea.
He walked on without resting. He had a terrible longing for some distraction, but he did not know what to do, what to attempt. A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him - he loathed their faces, their movements, their gestures. If anyone had addressed him, he felt that he might have spat at him or bitten him... .
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
I was thinking, I could turn him into a fly and drop him into a spider's web and watch him tangled and helpless and struggling, shut into the body of a dying buzzing fly; I could wish him dead until he died.I could fasten him to a tree and keep him there until he grew into the trunk and bark grew over his mouth. if he was under the ground I could walk over him stamping my feet.
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
The conservative has but little to fear from the man whose reason is the servant of his passions, but let him beware of him in whom reason has become the greatest and most terrible of the passions. These are the wreckers of outworn empires and civilisations, doubters, disintegrators, deicides.
The transept belfry and the two towers were to him three great cages, the birds in which, taught by him, would sing for him alone. Yet it was these same bells which had made him deaf; but mothers are often fondest of the child who has made them suffer most.
Self-help books are making life downright unsafe. Women desperate to catch a man practice all the ploys recommended by these authors. Bump into him, trip over him, knock him down, spill something on him, scald him, but meet him.
Let a man choose what condition he will, and let him accumulate around him all the goods and gratifications seemingly calculated to make him happy in it; if that man is left at any time without occupation or amusement, and reflects on what he is, the meagre, languid felicity of his present lot will not bear him up. He will turn necessarily to gloomy anticipations of the future; and unless his occupation calls him out of himself, he is inevitably wretched.
But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.
I will make an average man into an average dancer, provided he be passably well made. I will teach him how to move his arms and legs, to turn his head. I will give him steadiness, brilliancy and speed; but I cannot endow him with that fire and intelligence, those graces and that expression of feeling which is the soul of true pantomime.
Nature in causing reason and the passions to be born at one and the same time apparently wished by the latter gift to distract man from the evil she had done him by the former, and by only permitting him to live for a few years after the loss of his passions seems to show her pity by early deliverance from a life that reduces him to reason as his sole resource.
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