A Quote by Thomas Babington Macaulay

The best portraits are those in which there is a slight mixture of caricature. — © Thomas Babington Macaulay
The best portraits are those in which there is a slight mixture of caricature.
The best portraits are perhaps those in which there is a slight mixture of caricature; and we are not certain that the best histories are not those in which a little of the exaggeration of fictitious narrative is judiciously employed. Something is lost in accuracy; but much is gained in effect. The fainter lines are neglected; but the great characteristic features are imprinted on the mind forever.
Pure photography allows us to create portraits which render their subjects with absolute truth, truth both physical and psychological. That is the principal which provided my starting point, once I had said to myself that if we can create portraits of subjects that are true, we thereby in effect create a mirror of the times in which those subjects live.
[In my writing] I know that I have made a caricature out of [others' academic] theories [but] I think that caricatures are frequently good portraits.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
It is little silly to be a caricature of something of which you know very little, and which means very little to you, but to be your own caricature — that is the true carnival!
To slight a single human being, is to slight those divine powers and thus to harm not only that being but with him, the whole world.
You just have to get one misstep - that's an easy way to fall into caricature. Bad caricature.
I always think photographs abominable, and I don't like to have them around, particularly not those of persons I know and love. Those photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love.
I don't know what Alison [McGhee] thinks, but I very strongly doubt that we will ever see the parents of Bink or Gollie. However, I do think it would be fun to make Tony Fucile draw portraits of the parental units and have those portraits sitting on Bink's mantel or in Gollie's kitchen. Glowering. A little.
The people have to know what my portraits are like in order to behave in such a way that the result is one of my portraits.
I don't have a philosophy of caricature. I'm not even sure I am a caricaturist, in the strictest sense of the word - I don't really exaggerate much. For a while, recently, I was thinking of attempting a reverse-caricature of Donald Trump; he certainly already appears to be a caricature of himself. I wondered about de-caricaturizing him, scaling back his whole face and hair and visual excess, and attempting to shed light on him that way.
I felt that the beach portraits were all self-portraits. That moment of unease, that attempt to find a pose, it was all about me.
The best nations are those most widely related; and navigation, as effecting a world-wide mixture, is the most potent advancer ofnations.
Those things which now seem frivolous and slight, Will be of serious consequence to you, When they have made you once ridiculous.
I've always loved those portraits that Alfred Stieglitz did of Georgia O'Keeffe over several years, which really convey the idea that there's not one image that can capture a woman, because we're changing all the time.
In fact, the libertarian would reason that the fact that human nature is a mixture of both good and evil provides its own particular argument in his favor. For if man is such a mixture, then the best societal framework is surely one in which evil is discouraged and the good encouraged. The libertarian maintains that the existence of the State apparatus provides a ready, swift channel for the exercise of evil, since the rulers of the State are thereby legitimated and can wield compulsion in ways that no one else is permitted to do.
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