A Quote by Thomas Babington Macaulay
We know no spectacle so ridiculous as the British public in one of its periodical fits of morality.
Related Quotes
There's nothing worse than the British in one of their fits of morality.
I once heard someone say morality was method. Do you hold with that? I suppose you wouldn't. You would say that morality was vested in the aim, I expect. Difficult to know what one's aims are, that's the trouble, specially if you're British.
There is not a more disgusting spectacle under the sun than our subserviency to British criticism. It is disgusting, first, because it is truckling, servile, pusillanimous--secondly, because of its gross irrationality. We know the British to bear us little but ill will--we know that, in no case do they utter unbiased opinions of American books . . . we know all this, and yet, day after day, submit our necks to the degrading yoke of the crudest opinion that emanates from the fatherland.
I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
Talking about morality can be offensive. Morality is a politically incorrect subject. Many people are genuinely offended if someone speaks of morality and family values. It is okay if you talk about your sexual fantasies and deviances. This is called "liberation". But you would be frowned at if you talk about morality in public. Then you'd be accused of trying to impose your values on others.
What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
We know that the British public are obsessed with class.
The founders of this nation understood that private morality is the fount from whence sound public policy springs. Replying to Washington's first inaugural address, the Senate stated: "We feel, sir, the force and acknowledge the justness of the observation that the foundation of our national policy should be lain in private morality. If individuals be not influenced by moral principles it is in vain to look for public virtue."
I'm the British home secretary. My job is to protect the British public.
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morality into radical deep green environmentalism.
We grow tyrannical fighting tyranny. . . . The most alarming spectacle today is not the spectacle of the atomic bomb in an unfederated world, it is the spectacle of the Americans beginning to accept the device of loyalty oaths and witch hunts, beginning to call anybody they don't like a Communist.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
It turns out that understanding the British public is not rocket science. The British appreciate honesty and they also have a bonkers, off-the-wall sense of humour like me.
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