A Quote by Thomas Bailey Aldrich

The laurels of an orator who is not a master of literary art wither quickly. — © Thomas Bailey Aldrich
The laurels of an orator who is not a master of literary art wither quickly.
Oratory is the masterful art. Poetry, painting, music, sculpture, architecture please, thrill, inspire - but oratory rules. The orator dominates those who hear him, convinces their reason, controls their judgment, compels their action. For the time being, he is master.
In eloquence, the great triumphs of the art are when the orator is lifted above himself; when consciously he makes himself the mere tongue of the occasion and the hour, and says what cannot but be said. Hence the term "abandonment" to describe the self- surrender of the orator. Not his will, but the principle on which he is horsed, the great connection and crisis of events, thunder in the ear of the crowd.
Christopher Hitchens was a writer and an orator with a matchless style, commanding a vocabulary and a range of literary and historical allusion far wider than anybody I know.
If it is naturally in you to be a good orator, a notable orator you will be when you have acquired knowledge and practice.
The orator is thereby an orator that keeps his feet ever on a fact.
Never, ever rest on your laurels. Today's laurels are tomorrow's compost.
How quickly a zek (a prisoner) gets cheeky-or, putting it in literary language, how quickly a man's requirements grow.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
With workout classes, I always want to know that I can improve with each class I take. But I don't think I'll ever master the art of peddling quickly with little resistance, at least not without feeling like I'm going to fly off the bike.
Modi is an excellent orator - sure, anybody who spouts untruths is an excellent orator.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
Eloquence, to produce her full effect, should start from the head of the orator, as Pallas from the brain of Jove, completely armed and equipped. Diffidence, therefore, which is so able a mentor to the writer, would prove a dangerous counsellor for the orator.
Our cheer goes back to them, the valiant dead! Laurels and roses on their graves to-day, lilies and laurels over them we lay, and violets o'er each unforgotten head.
Alas, if our children lose the crown of life, it will be but a small consolation that they have won the laurels of literature or art.
The art in photography is literary art before it is anything else: its triumphs and monuments are historical, anecdotal, reportorial, observational before they are purely pictorial... The photograph has to tell a story if it is to work as art.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
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