A Quote by Thomas Bangalter
We're genuinely happy if some musicians of this younger generation are influenced by our music, as we were ourselves influenced 10 years ago by older musicians.
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One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.
Ultimately, I think there's this umbrella term of jazz, and what's cool about not just what's happening with my music but this general sense of what's happening with this generation of musicians, is it's a very broad term, and we can incorporate all types of music, and we can be influenced and inspired by all kinds of sounds.
It's always great playing with other musicians. It's also a great situation where I'm the older guy, I've influenced generations of guitar players.
Cheech and I used to call ourselves musicians; we never called ourselves comedians. We were musicians that were funny.
Instead, there were a variety of controls of which some could be influenced by bankers, some could be influenced by the government, and some could hardly be influenced by either.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
I can't single out one thing that influenced me. My generation was influenced greatly by the manga that came out during our childhood.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
In New Orleans, people are still influenced by one another. You got these bands that play every week on Frenchmen Street, and on their breaks, they might go see the reggae band that's right next door. You might get the musicians from the reggae band to sit in with the brass musicians. Everyone is having fun.
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
When I was on TV in the '80s, I wasn't thinking, 'There's a 10-year-old kid watching this and in 15 years, he's gonna be doing stuff that was influenced by me.' I was trying to get my five minutes together. So now that those people are comedians and they're influenced by me - it's bizarre.
I don't want this music to die.The older people are passing it on to the younger generation so the younger generation can pass it on to the next generation.
Maybe not as an idol, but I have influenced some people, including my son Joshua. So that feels good. Wherever I play musicians come to meet me, that is a great compliment to me. I am honored.
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