A Quote by Thomas Bangalter

When you look at C-3PO and Darth Vader and then look at the actors behind them, you can't really make the connection. It kills the magic. — © Thomas Bangalter
When you look at C-3PO and Darth Vader and then look at the actors behind them, you can't really make the connection. It kills the magic.
I was in love with Darth Vader. He was extremely sexy to me. Once I had almost a sexual dream about Darth Vader. At the moment he was about to pull his helmet off, my husband woke me up and I was so annoyed. I told him, "I was on my way to kiss Darth Vader."
I always liked Darth Vader. I remember, when I was a kid, I went to the toy store for the Darth Vader pencil case. I took that to school for years.
In three hundred feet, turn right," Darth Vader said. The Darth Vader. I felt like we were friends now. Like I could tell him anything.
I look up to actors. I look up to Robert DeNiro, I look up to Johnny Depp, I look up to Al Pacino, I look up to run-of-the-mill really good actors. I love watching movies, and I love watching other actors and learning from them.
I was dressed like Darth Vader. Vader was my man, even with the villainy. He wore all black and had a deep voice; he reminded me of my uncle. I had a cheap mask-cape combo, the kind available at any pharmacy during October.
It is so gratifying for me the degree to which the Minions have been embraced. It's almost unprecedented in the CG animated world. It's amazing. That's really all a creator hopes for, that their characters grow beyond them. It's like Darth Vader and Batman. They've gotten bigger than their creators.
There is a strange pecking order among actors. Theatre actors look down on film actors, who look down on TV actors. Thank God for reality shows, or we wouldn't have anybody to look down on.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
To me, Darth Vader is the epitome of evil.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
Filmmaking is such a collaborative piece of art that you can't look to one person - you couldn't look to me, you couldn't say, 'Because Vin's in it, it's this or that...' It's really all of us coming together for that period of time to try and make magic.
I think I would like to kiss Darth Vader.
My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.
I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself.
The most interesting characters keep us hooked. Not likeable ones! Iago, Shylock, Darth Vader - are they likeable? Do you want to invite them to dinner?
Every Luke Skywalker needs his Darth Vader.
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