A Quote by Thomas Beecham

Elgar's first symphony is the musical equivalent of St Pancras Railway Station. — © Thomas Beecham
Elgar's first symphony is the musical equivalent of St Pancras Railway Station.
The first significant work I did was a railway station in Zurich called Stadelhofen.
I remember, a couple of years ago I was playing my first headline show, and it was to 100 people in St Pancras Old Church in London; and me and my mum were like, 'We don't know 100 people, how are we going to sell these tickets?'
Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.
We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?“ “Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
A railway station is something that can generate a city.
I wish you wouldn't walk in and out of my mind as though it was a railway station!
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
And if you ever need self-validation, Just meet me in the alley by the railway station
It is right for us not to want our country transformed into a mere corridor, a giant railway station.
The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music....The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating.
I grew up in such a musical family, and my dad was the first chair in the Johannesburg Symphony Orchestra, and my mom was a piano teacher and a painter, so it was kind of a creative environment, and it was kind of in my DNA.
In 1910, eighty-two-year-old Leo Tolstoy flees from his wife and dies in a railway station of exposure.
I'd be ashamed to see a woman walking around with my name-label on her, address and railway station, like a wardrobe trunk.
He has the vocal modulation of a railway-station announcer, the expressive power of a fence-post and the charisma of a week-old head of lettuce.
'Homeward Bound.' I find myself listening to that tune a lot when I'm traveling. Sitting in a railway station, wanting to go home, carrying all your stuff with you.
In England, they say that Manchester is the city of rain. It's main attraction is considered to the timetable at the railway station, where trains leave for other, less rainy cities.
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