A Quote by Thomas Bernhard

Very often we write down a sentence too early, then another too late; what we have to do is write it down at the proper time, otherwise it's lost. — © Thomas Bernhard
Very often we write down a sentence too early, then another too late; what we have to do is write it down at the proper time, otherwise it's lost.
If I have to write on an airplane or get up early to write or write late, you just gotta sit down. When you have the time, you have to be able to do it.
I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.
When I'm late it matters, but when everybody else is late it doesn't matter... If that's the rule then just write it down and then I know, you know... I'll read it and I'll write it down on my balls. Right here. Right here on the back of my balls is where I'll write it. On the very back. I'll just lift them and write it nicely.
Open this notebook every day and write down half a page at the very least. If you have nothing to write down, then at least, following Gogol’s advice, write down that today there’s nothing to write. Always write with attention and look on writing as a holiday.
I write down three things in the morning that I want to accomplish, but I write it down as if I have already accomplished it. So you write it down three times. And then in the daytime, like near the afternoon, you write it down six times. Then at night, you write it down nine times.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
That’s why you have to write your book right now, if that’s what you want to do. If you wait until you have the time, and the security, you might not want to do it. You’re in a race against your own enthusiasm. Don’t put it off because someone told you it’s never too late. That’s the worst lie. It’s never too late today, but it’s often too late tomorrow.
I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.
The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence.
My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.
I struggle with confidence, every time. I’m never completely sure I can write another book. Maybe my scope is too grand, my questions too hard, surely readers won’t want to follow me here. A novel is like a cathedral, it knocks you down to size when you enter into it.
Now, after I have published a few books, I can clearly feel the impact of censorship when I write. For example, I'll think of a sentence, and then realize that it will for sure get deleted. Then I won't even write it down.
I don't sit down and write a song, and then slam down the phone like, 'We got another one!' and pop some champagne. It's like if someone's writing a novel: You write a series of drafts.
I think about the sentence a long time, and then I write it. I don't revise it once it's set down.
The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.
You asked Marco Rubio if it was too little too late. I think there's a little bit of too much too late, which is, he is just getting down in the muck with Donald Trump. And when you get down in the muck, you get up with muck on you.
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