A Quote by Thomas Brodie-Sangster

The fun thing we get to do is mess around playing all sorts of different people. People that really existed, people that exist in a book - whom people love and have a specific idea of who they are, and you kind of have to work with that - or people that you can take a completely fresh look at.
I love getting to have different food and getting to be around different people and different cultures and different ways people look at life. It's really kind of helped me open up my mind and see the world from different perspectives.
When you look around, and very close trusted people who would never cash you in, for lack of better words, and those people do that and people leave your house and tell completely different stories, you tend not to trust people.
So when a good idea comes, you know, part of my job is to move it around, just see what different people think, get people talking about it, argue with people about it, get ideas moving among that group of 100 people, get different people together to explore different aspects of it quietly, and, you know – just explore things.
It's been a struggle to get people to come eat for fun. You know, the way they listen to music. You can do all kinds of things with music. But food - it's something people need, and that changes everything. You start playing with it, people have all sorts of reactions.
As most people when I entered the work world, suddenly people are playing games, being manipulative, being a little bit nasty, you get tricked or you're kind of naive and you do something and people come steal your idea.
People stopping you in the street, though, is very different from being hounded by the press, which is the kind of attention that celebrities get, and I'm probably too old for that kind of thing to happen anyway. I think it happens more when you're dating all sorts of different very handsome actors or something. They want gossip and scandal, and they know they're not going to get it from me because I'm too old to be scandalous. Of course, they could read the book - although it's not really a scandalous book.
Really, who you are is defined by the people who you know - not even the people that you know, but the people you spend time with and the people that you love and the people that you work with. I guess we show your friends in your profile, but that's kind of different from the information you put in your profile.
It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s.
I've worked with all sorts of random people - everybody from Metallica to Britney Spears to Ozzy Osbourne to Michael Jackson to the Beastie Boys. I've got a really strange CV. It's interesting - I work with a lot of these disparate, different people to learn what it's like to work with random people.
I find it funny to look at people who are people-watching, and, don't get me wrong, I like to people-watch, too. But it's an interesting thing when people on the street just stop and ask you, 'Are you Coco? Can I take a photo of you?'
You are always looking for a different kind of read and a different kind of intention when you are by yourself in the booth. Occasionally you are playing off of people, but it is a bit of a different muscle that you have to flex. At the end of the day though, it really is all just great fun and play that we are lucky enough to get paid for.
There are three sorts of people in the world: Those who are immovable, people who don't get it, or don't want to do anything about it; there are people who are movable, people who see the need for change and are prepared to listen to it; and there are people who move, people who make things happen.
How do people move on after they've lost the love of their life? It's a really interesting thing to look at. It happens to people every day: you see people... even in the worst, most war-torn places, people get up and continue with their lives. And it's a fascinating thing about human nature. That ability to just continue on.
I think the interesting thing about elections, as someone who has run through a couple of them, is that people are so busy in their lives that there are kind of waves of when people tune in and do the research and really dive in to decide who they're supporting. People take it at different paces, but there is this roaring focus at the end.
When people can be vulnerable to one another then you're kind of giving people permission to really be yourself and not try to impress all the time and you get into more interesting work. You're being real and you're not afraid to mess up or seem weird.
That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
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