A Quote by Thomas Brodie-Sangster

I'm not a fan of musicals at all, but I do think 'The Nightmare Before Christmas' is a very good. I always thought 'Walk the Line' was very good, too. I was in 'Nowhere Boy.' I played Paul McCartney. That was kind of musical - we did songs in that.
Hit songs did not come out of musicals. Pop-rock was creating the hits. There were very few songs that made the charts out of any Broadway musical.
The idea of performing some of Jack Skellington's songs from The Nightmare Before Christmas live for the very first time is immensely exciting.
I was talking to one of my aunties at Christmas and she said she didn’t think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.
I was talking to one of my aunties at Christmas and she said she didn't think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
When I was in eighth grade said sit in at a graduation party and I played 'Boys' by The Beatles and fifty people were standing around with their mouths open. And you kind of get the hint, well maybe I should do this because I'm not very good at sports, I'm not that popular, I'm not very smart, and I'm not very good looking, but when I played the drums, everybody liked it.
It was very interesting time to be in England. Even at that point [John] Lennon and [Paul] McCartney influenced my writing. I thought, "maybe there is a huck or two in here I haven't thought of".
I'm a huge 'Nightmare before Christmas' fan, but that was also Henry Selick. I'm a really big fan of 'Sleepy Hollow.' I love 'Big Fish,' too, which is a bit different. There's a really cool era of early-Burton stuff like 'Ed Wood' that I'm a big fan of.
I was very, very shocked about Cooperstown. I thought my chances were fairly good, but I tried to stay low key about it, not too high and not too low. That was the way I played, too.
I played the guitar. When I was 14, I composed songs - Paul McCartney-style things. I had a rock band - we'd compete in festivals.
'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.
My father was a very good golfer and he got me started early. My grandfather played, too. It was just something that the Kroft family did. I kind of grew up on the golf course.
I was not a big fan of the Attitude Era. Some of the things they did were very good and very funny but I was never a fan of the sleazy stuff.
Dee Dee got the name 'The Ramones' from Paul McCartney. McCartney would call himself Paul Ramon when he checked into hotels and didn't want to be noticed. I liked it because I thought it was ridiculous. The Ramones? That's absurd!
For me, being a good creative writing teacher is actually kind of being a good therapist. The line is very porous - you can also be a creepy guru/abusive therapist, too, so you have to be very careful. But it feels really important to me.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
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