A Quote by Thomas Brodie-Sangster

To be a good director, you have to have good life experience. I'm getting there. — © Thomas Brodie-Sangster
To be a good director, you have to have good life experience. I'm getting there.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
I don't really have any peeves, and I fly other carriers a good bit. My experience has been good in terms of getting on the airplane expeditiously and getting to my destination as need be, on time, with my bags - which I carry on.
When I choose a script I look for a good storyline, there should be good supporting star cast, director and banner as it helps in getting a decent release.
Sometimes the best set experiences make for the worst films. So, you don't want it to be too good an experience! But the bulk of your life is working with people and collaborating so you don't want anyone to be miserable on your film either. You want it to be something that people walk away from saying that it was a good experience for them and hopefully a good film. As a director, you are sort of leader of that troupe for that period of time, so you're aware of morale and your effect - how you are as a person and how that sort of trickles down to everyone else.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
A good director is not an expert in anything in particular. A good director just knows a little bit about everything.
In order to be a good director, you also need to be a good entrepreneur because the director is in charge of everything and everyone on the sets.
No director wants to be directed, but no good director... would shy away from the good ideas of others.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
We're getting the blues about having to walk away from this whole thing. We enjoyed it a lot and it all felt good. We had a good experience on it. We thought we could do good work together. And it is unusual to get the next one, straight off the bed. John is funny. When he gets moving, he moves pretty quickly.
I don't know how you can tell a good actor in the movies. I really don't. I think you simply just do the part and hope to God that the director has a good cutter and a good editor, and it'll all get cut and put together so that you look good in it.
I hope the Church will examine what is good and what is ill, and what good could be achieved by getting the suicidal, self-destructive, possibly carnal, or celibate to move toward this experience of love.
Working with Ravi Shastri as Team Director was a good experience.
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