A Quote by Thomas Bulfinch

The earliest form in which romances appear is that of a rude kind of verse. — © Thomas Bulfinch
The earliest form in which romances appear is that of a rude kind of verse.
BLANK-VERSE, n. Unrhymed iambic pentameters - the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind.
Free verse seemed democratic because it offered freedom of access to writers. And those who disdained free verse would always be open to accusations of elitism, mandarinism. Open form was like common ground on which all might graze their cattle - it was not to be closed in by usurping landlords.
We appear to have form, but we are like a whirlpool. We appear to have form, but we are just whirling electrons.
It's rude to not try and look up-to-date. Is rude the right word? Yes! It's rude - rude to other people.
There is the question of language. Although the play [Candid] is not written in strict verse form, there is an underlying beat of rhyming couplets, with echoes of Pope and the tradition of eighteenth-century philosophical verse.
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose
What I do say is that I can write verse, and that the writing of verse in strict form is the best possible training for writing good prose.
It was not till toward the end of the thirteenth century that the prose romances began to appear.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
At four lines, with the quatrain, we reach the basic stanza form familiar from a whole range of English poetic practice. This is the length of the ballad stanza, the verse of a hymn, and innumerable other kinds of verse.
There was certainly an old law code which stands behind the earliest form of Deuteronomy. Presumably that is what was lost.
In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.
The earliest signs of living things, announcing as they do a high complexity of organization, entirely exclude the hypothesis of a transmutation from lower to higher grades of being. The first fiat of Creation which went forth, doubtlessly ensured the perfect adaptation of animals to the surrounding media; and thus, whilst the geologist recognizes a beginning, he can see in the innumerable facts of the eye of the earliest crustacean, the same evidences of Omniscience as in the completion of the vertebrate form.
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
The form of free verse is as binding and as liberating as the form of a rondeau.
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