A Quote by Thomas Cahill
(The festival) was awfully impersonal and abstract and there was something really gloomy about it. That's when I first started thinking about the typical view of reality.
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When I turned 25, something changed in me. I see children in my future 100%. Soon. I started thinking I want my kids to look back and say, 'Wasn't Mummy amazing?' I've really started thinking about what I'm leaving for them.
When I first started working with Victoria's Secret, I wanted to get stronger. That was something I wanted to build on and really be as strong and powerful as I could be. Working with Victoria's Secret, I started really thinking about my body and my muscles.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
I started thinking about the endless bullshit about quotas, and how certain types of character are fine "as long as it's important to the story," and so on, started thinking about the absence of the abject.
What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.
What flows into you from myth is not truth but reality (truth is always about something, but reality is that about which truth is), and therefore, every myth becomes the father of innumerable truths on the abstract level.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
When people asked me, 'What are you going to do?' I'd say, 'I'm going to be an actor,' without really thinking about it. And I started acting without really thinking about it. I only thought about it properly a bit later.
I read about eastern philosophy and religion and existentialism. All that introspective thinking got me thinking about the great beyond. That turned my sights from inwards to outwards, and I started becoming interested in the makeup of the universe, and I started reading about astronomy, planets, and galaxies.
I'm called a folk singer, and I'm not too sure about that. I went about my life approaching music not from the point of view of a singer, but from the point of view of an actor. That's how I first started to sing.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
Philosophy wasn't about facts, it was about ideas. My first essay title was something like: 'How can you know what other people are thinking?' I thought, 'Wow, what an amazing thing.' I really thought deeply for the first time.
Something like missing a shot, and the next play you're thinking about it, or you give up a play on defense and you're thinking about it, you're frustrated about it, what's happening is that you're really thinking about yourself. You're not connected to the team. And you have to be connected, or those few plays add up.
I'm ephemeral as much as I can be, so I started to think about the idea of not working. It's really about a change of attitude. It's not so much about stopping, but about re-thinking the meaning of one's production.
I grew up listening to Jay-Z, and I think the first time I really became obsessed with learning and thinking about lyrics was when I started listening to rap; I was 11, 12, and started becoming aware of music beyond the familiar.
I've been really happy to be in that conversation with Scott [Derrickson] for a few months now. We started chewing this cud a while ago. He is, as you probably know, an extremely erudite thinker in terms of religious philosophy and just thinking about a modern take on something really, really ancient, about how to imagine living beyond any physical bounds, which we're on the verge of now.
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