A Quote by Thomas Carlyle
In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world's Priest; -- guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time.
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The hero is one who kindles a great light in the world, who sets up blazing torches in the dark streets of life for men to see by. The saint is the man who walks through the dark paths of the world, himself a light.
There's a pretty woman for ever lucky man in the world: every man in the world is a lucky man if he only knew it, so why waste time?
Not only do you become what you think about, but the world also becomes what you think about. Those who think that the world is a dark place are blind to the light that might illuminate their lives. Those who see the light of the world view the dark spots as merely potential light.
The Shield was another of the Fear's names. According to Laughter, it means he shields the seed of Abraham the way a man starting a fire shields the flame. When Sarah was about to die childless, the Fear gave her a son. When Abraham was about to slaughter the son, the Fear gave him the ram. He is always shielding us like a guttering wick, Laughter said, because the fire he is trying to start with us is a fire that the whole world will live to warm its hands at. It is a fire in the dark that will light the whole world home.
You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.
Bright shadows of true rest! some shoots of bliss;
Heaven once a week;
The next world's gladness prepossest in this;
A day to seek;
Eternity in time; the steps by which
We climb above all ages: lamps that light
Man through his heap of dark days; and the rich
And full redemption of the whole week's flight.
A man who can do everything fully consciously becomes a luminous phenomenon. He is all light, and his whole life is full of fragrance and flowers. The mechanical man lives in dark holes, dirty holes. He does not know the world of light; he is like a blind man. The man of watchfulness is really the man who has eyes.
Ours is not the task of fixing the entire world all at once, but of stretching out to mend the part of the world that is within our reach... One of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Soul on deck shines like gold in dark times. The light of the soul throws sparks, can send up flares, builds signal fires, causes proper matters to catch fire.
Has any man ever obtained inner harmony by simply reading about the experiences of others? Not since the world began has it ever happened. Each man must go through the fire himself.
The world is on fire! And you are laughing? You are deep in the dark. Will you not ask for a light?
Within my body are all the sacred places of the world, and the most profound pilgrimage I can ever make is within my own body.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
We pray that the Lord may help us to produce His light in ourselves, even in dark days, so that we might be light for others, illuminating the world and life in this world.
Here and there and not just in books we catch glimpses of a world of once upon a time and they lived happily ever after, of a world where there is a wizard to give courage and a heart, an angel with a white stone that has written on it our true and secret name, and it is so easy to dismiss it all that it is hardly worth bothering to do. ... But if the world of the fairy tale and our glimpses of it here and there are only a dream, they are one of the most haunting and powerful dreams that the world has ever dreamed.
The provincial intellectual is doomed to arguing at low level... there is still no Australian literary world, not in Sydney, Melbourne, Adelaide. It is some consolation to realise that there is no literary world in Birmingham or Los Angeles either. I have heard there is one in Montreal, but I don't believe it. The literary world is in London and New York, the only cities big enough to sustain magazines which can afford to reject copy.
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