A Quote by Thomas Carlyle
In every man's writings, the character of the writer must lie recorded.
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Every man whose character traits all lie in the mean is called a wise man.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.
Every artist, every scientist, every writer must decide now where he stands. The artist must take sides. He must elect to fight for freedom or for slavery. I have made my choice. I had no alternative.
If you want to become a man of letters and perhaps write some Histories one day, you must also lie and invent tales, otherwise your History would become monotonous. But you must act with restraint. The world condemns liars who do nothing but lie, even about the most trivial things, and it rewards poets, who lie only about the greatest things.
The Bible is a collection of writings by lots of different people written over maybe a thousand years, from a number of centuries before Jesus to a century after Jesus. I often like to refer to it as "the Scriptures" to make that point about it being lots of writings that were originally separate. What these writings have in common is that "the Old Testament" is writings that grabbed the Jewish people; writings that convinced them that they were God's word to them. And "the New Testament" is writings that grabbed people who believed in Jesus in the same way.
The writer has the advantage of a medium that can be contemplated many times over on the pages of a book or a magazine. The words lie on the page and the writer has an extended opportunity to imprint on his reader every meaning and nuance distilled from experience.
The multiplicity of facts and writings is become so great that every thing must soon be reduced to extracts and dictionaries.
Justice is the recognition of the fact that you cannot fake the character of men as you cannot fake the character of nature, that you must judge all men as conscientiously as you judge inanimate objects, with the same respect for truth, with the same incorruptible vision, by as pure and as rational a process of identification-that every man must be judged for what he is and treated accordingly.
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
Whoever would understand the character of Washington, in all its compass and grandeur, must learn it from his own writings, and from a complete history of his country during the long period in which he was the most prominent actor.
Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and all. And once you do, you will feel so much better
There is a natural disposition with us to judge an author's personal character by the character of his works. We find it difficult to understand the common antithesis of a good writer and a bad man.
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's best friend and only true enemy-the good and great enemy. He neither walks with the multitude nor cheers with them. The writer who is a writer is a rebel who never stops
To be a science fiction writer you must be interested in the future and you must feel that the future will be different and hopefully better than the present. Although I know that most - that many science fiction writings have been anti-utopias. And the reason for that is that it's much easier and more exciting to write about a really nasty future than a - placid, peaceful one.
The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
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