A Quote by Thomas Carlyle
Ever, as before, does Madness remain a mysterious-terrific, altogether infernal boiling-up of the Nether Chaotic Deep, through this fair-painted Vision of Creation, which swims thereon, which we name the Real.
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Bacon's portraits are an interrogation on the limits of the self. Up to what degree of distortion does an individual still remain himself? To what degree of distortion does a beloved person still remain a beloved person? For how long does a cherished face growing remote through illness, through madness, through hatred, through death still remain recognizable? Where is the border beyond which a self ceases to be a self?
A painting is an object which has an emphatic frontal surface. On such a surface, I paint a black band which does not recede, a color band which does not obtrude, a white square or rectangle which does not move back or forth, to or fro, or up or down; there is also a painted white exterior frame band which is edged round the edge to the black. Every part is painted and contiguous to its neighbor; no part is above or below any other part. There is no hierarchy. There is no ambiguity. There is no illusion. There is no space or interval (time).
Is man’s civilization only a wrappage, through which the savage nature of him can still burst, infernal as ever?
A background of wrath, which can be stirred up to the murderous infernal pitch, does lie in every man.
Although a science fair can seem like a big "pain" it can help you understand important scientific principles, such as Newton's First Law of Inertia, which states: "A body at rest will remain at rest until 8:45 p.m. the night before the science fair project is due, at which point the body will come rushing to the body's parents, who are already in their pajamas, and shout, 'I JUST REMEMBERED THE SCIENCE FAIR IS TOMORROW AND WE GOTTA GO TO THE STORE RIGHT NOW!'"
In setting up a business under the name and meaning of the Golden Rule, I was publicly binding myself, in my business relations, to a principle which had been a real and intimate part of my family upbringing. Our idea was to make money and build business through serving the community with fair dealing and honest value.
The Church is likewise conscious of the responsibility which all of us have for our world, for the whole of creation, which we must love and protect. There is much that we can do to benefit the poor, the needy and those who suffer, and to favour justice, promote reconciliation and build peace. But before all else we need to keep alive in our world the thirst for the absolute, and to counter the dominance of a one-dimensional vision of the human person, a vision which reduces human beings to what they produce and to what they consume: this is one of the most insidious temptations of our time.
Personal size and mental sorrow have certainly no necessary proportions. A large bulky figure has a good a right to be in deep affliction, as the most graceful set of limbs in the world. But, fair or not fair, there are unbecoming conjunctions, which reason will pa tronize in vain,--which taste cannot tolerate,--which ridicule will seize.
I do have two data identities. I have my name, Bruce Sterling, which is my public name under which I write novels. I also have my other name, which is my legal name under which I own property and vote.
The only real rival of love is Art, for that in itself is a deep personal passion, its function an act of creation, fed by some mysterious perversion of sex, and demanding all the imagination's activities.
We speak now or I do, and others do. You've never spoken before. You will. You'll be able to say how the city is a pit and a hill and a standard and an animal that hunts and a vessel on the sea and the sea and how we are fish in it, not like the man who swims weekly with fish but the fish with which he swims, the water, the pool. I love you, you light me, warm me, you are suns. You have never spoken before.
Kiran says (the shelf) is full of stories. If it is, then I like fairy stories. Fairy stories are fair. In them wishes are granted, words are enchanted, the honest and brave make it safely through to the last page and the baddies either have to give up their wickedness for ever and ever, no going back, or get ruthlessly written out of the story, which they hardly ever survive. Also in fairy stories there are hardly any of those half-good half-bad people that crop up so constantly in real life and are so difficult to believe in.
Keep me away from the wisdom which does not cry, the philosophy which does not laugh and the greatness which does not bow before children.
It reveals us to ourselves, it represents those modulations and temperamental changes which escape all verbal analysis, it utters what must else remain forever unuttered and unutterable; it feeds that deep, ineradicable instinct within us of which all art is only the reverberated echo, that craving to express, through the medium of the senses, the spiritual and eternal realities which underlie them.
Contradictions of perspective. Contrasts of light. Contrasts of form. Points of view impossible to achieve in drawing and painting. Foreshortenings with a strong distortion of the objects, with a crude handling of matter. Moments altogether new, never seen before compositions whose boldness outstrips the imagination of painters Then the creation of those instants which do not exist, contrived by means of photomontage. The negative transmits altogether new stimuli to the sentient mind and eye.
We live in a world which in some respects is mysterious; things can be experienced which remain inexplicable; not everything which happens can be anticipated. The unexpected and the incredible belong in this world. Only then is life whole. For me the world has from the beginning been infinite and ungraspable.
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