A Quote by Thomas Carlyle

No good book, or good thing of any sort, shows its best face at first. — © Thomas Carlyle
No good book, or good thing of any sort, shows its best face at first.
No good book or good thing of any kind shows it best face at first. No the most common quality of in a true work of art that has excellence and depth, is that at first sight it produces a certain disappointment.
Somebody said recently that the best thing a student could do was to get in some shows and publish a book; but nothing about becoming a human being, nothing about having important feelings or concepts of humanity. That's the sort of thing that is bad education. I'd say be a human being first and if you happen to wind up using photography, that's good for photography.
"The best is oftentimes the enemy of the good;" and without claiming for an instant that title of good for my book, I do not doubt that many a good book has remained unwritten, or, perhaps, being written, has remained unpublished, because there floated before the mind's eye of the author, or possible author, the ideal of a better or a best, which has put him out of all conceit with his good.
Not wasting any water bottles is good. Not leaving the lights on is good. Turning the thermostat down in the winter, up in the summer, is good. But the best thing any of us in the developed world, especially in the United States, can be doing is talking about it.
You have to have a lot of ideas. First, if you want to make discoveries, it's a good thing to have good ideas. And second, you have to have a sort of sixth sense-the result of judgment and experience-which ideas are worth following up. I seem to have the first thing, a lot of ideas, and I also seem to have good judgment as to which are the bad ideas that I should just ignore, and the good ones, that I'd better follow up.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
Eitan Hersh wrote a book in 2015 called 'Hacking the Electorate.' It's pretty much the best book I've seen on the use of data science in U.S. elections and what good evidence shows works and does not work.
Any book is a Good Book, and wherever they keep the Good Book safe is also the House a the Lord.
The first novel I wrote was a monster - clocking in at 180,000 words - but it died a death, a death it deserved. It was called 'The Gods First Make Mad.' It was a good title, but it was the only good thing about the book. I didn't let that put me off.
I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.
I certainly think that the best book in the world would owe the most to a good index, and the worst book, if it had but a single good thought in it, might be kept alive by it.
I cheat on my books a lot, which is not a good thing because it's good to stick with one book and get to the end of it, but I'm a book philanderer.
I think it's good that we're not embarrassed that we're comic book creators anymore. It's good that people are able to make a good living at doing it, and not doing the traditional sort of mainstream fare.
Any man will follow any feminine looking thing down any dark alley; I've always wanted to see a man beaten to a shit bloody pulp with a high-heeled shoe stuffed up his mouth, sort of the pig with the apple; it would be good to put him on a serving plate but you'd need good silver.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
I canceled the Russian shows because, from the days of the first Dire Straits album, I've supported Amnesty International. It's not a good thing to read about people being jailed for no reason, so I raised my hand and made a small objection. It was good to do - but where do you stop?
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