A Quote by Thomas Chatterton Williams
We are all living in a techno-dystopian fantasy, the Internet-connected portals we rely on rendering the world in all its granular detail and absurdity like Borges's 'Aleph.'
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This is how space begins, with words only, signs traced on the blank page. To describe space: to name it, to trace it, like those portolano-makers who saturated the coastlines with the names of harbours, the names of capes, the names of inlets, until in the end the land was only separated from the sea by a continuous ribbon of text. Is the aleph, that place in Borges from which the entire world is visible simultaneously, anything other than an alphabet?
Drugs took me to places; they were like portals. It's kind of a cliché, but they were like portals to altered states of consciousness into ways of imagining the world, or seeing a world beyond this world, or seeing a world beyond this world that I might not have gotten to unless I discovered meditation and a very deep, intense spiritual path based on contemplation and meditation.
I was an eccentric teenager in suburban New Jersey, in a town mostly interested in sports, popularity, and clothes. A fan of Jorge Luis Borges, I found a group of Borges scholars from Aarhus, Denmark - perfect strangers - whom I connected to online and immediately became enthralled by the idea of virtual communities.
I first got online in the late '80s when I was an eccentric teenager in suburban New Jersey, in a town mostly interested in sports, popularity, and clothes. I was a reader, into Jorge Luis Borges, and I found, connected to, and delighted in a group of Borges scholars from Aarhus, Denmark, that I met online.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
It's a dystopian world where things aren't connected. But life feels light when we can communicate, joke or laugh on ourselves.
That's a really good question - what is it like living with a writer? I guess it depends on the writer. You know what? They live in a fantasy world a lot of the time. My husband lives in a fantasy world.
Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that's what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.
And I think detente had manifestly failed, and that the pursuit of it was encouraging Soviet expansion and rendering the world more dangerous, and especially rendering the Western world in greater peril.
The religion of the name of the seas will triumph against the sect of the son of Adaluncatif; The obstinate, lamented sect will be fearful of the two wounded by Aleph and Aleph.
The distinguishing characteristic of the techno-thriller is technical detail.
We thought that the Internet was going to connect us all together. As a young geek in rural Maine, I got excited about the Internet because it seemed that I could be connected to the world. What it's looking like increasingly is that the Web is connecting us back to ourselves.
A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it.
The U.S. needs a strong techno brand like Awakenings, just pretty much pure techno.
I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it.
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