A Quote by Thomas Cole

It was not that the jagged precipices were lofty, that the encircling woods were the dimmest shade, or that the waters were profoundly deep; but that over all, rocks, wood, and water, brooded the spirit of repose, and the silent energy of nature stirred the soul to its inmost depths.
Overall, rocks, wood and water, brooded the spirit of repose, and the silent energy of nature stirred the soul to its innermost depths.
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
Once in the dream of a night I stood Lone in the light of a magical wood, Soul-deep in visions that poppy-like sprang; And spirits of Truth were the birds that sang, And spirits of Love were the stars that glowed, And spirits of Peace were the streams that flowed In that magical wood in the land of sleep.
Now the mountains were getting that pink tinge, I mean the rocks, they were just solid rock covered with the atoms of dust accumulated there since beginningless time. In fact I was afraid of those jagged monstrosities all around and over our heads. "They're so silent!" I said. "Yeah man, you know to me a mountain is a Buddha. Think of the patience, hundreds of thousands of years just sitting there bein perfectly perfectly silent and like praying for all living creatures in that silence and just waitin for us to stop all our frettin and foolin.
Early in life, when I first saw waterlilies on the ripples of a lake, I didn't think they were flowers which grew from the water, but rather flowers which were mirrored from the shore into the lake. So many flowers grow in the silent waters of our souls, and they unfold their petals over the glaze of our consciousness: they grow from within us, but we think them reflections from the external world.
On two chairs beneath the bole of the tree and canopied by a living bough there sat, side by side, Celeborn and Galadriel... Very tall they were, and the Lady no less tall than the Lord; and they were grave and beautiful. They were clad wholly in white; and the hair of the Lady was of deep gold, and the hair of the Lord Celeborn was of silver long and bright; but no sign of age was upon them, unless it were in the depths of their eyes; for these were keen as lances in the starlight, and yet profound, the wells of deep memory.
The weathercocks on spires and housetops were mysterious with hints of stormy wind, and pointed, like so many ghostly fingers, out to dangerous seas, where fragments of great wrecks were drifting, perhaps, and helpless men were rocked upon them into a sleep as deep as the unfathomable waters.
The woods were deserted that day. The stones stood still and silent, as though they were waiting for something. At the center of them all, a jagged piece of amber glowed in the growing darkness. Lights fizzed softly around it, turning pink, orange, purple, blue. No one saw it. No one ever did. Why would they? No one knoew about its magic, not anymore. They had forgotten all about such magic a long, long time ago. About the same time they stopped believing in faries. How foolish.
'Badlands' is a very tangible record; a lot of the sounds were actual things: they were pots and pans, and they were rocks, and they were voices,and instruments used in a way to create a landscape of sound.
The repose necessary to all beauty is repose, not of inanition, nor of luxury, nor of irresolution, but the repose of magnificent energy and being; in action, the calmness of trust and determination; in rest, the consciousness of duty accomplished and of victory won; and this repose and this felicity can take place as well in the midst of trial and tempest, as beside the waters of comfort.
WHEN AUGUSTUS CAME OUT on the porch the blue pigs were eating a rattlesnake—not a very big one. It had probably just been crawling around looking for shade when it ran into the pigs. They were having a fine tug-of-war with it, and its rattling days were over.
Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song.
You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep
I saw Donald [Trump] saying that there were some Iranian sailors on a ship in the waters off of Iran, and they were taunting American sailors who were on a nearby ship. He said, you know, if they taunted our sailors, I'd blow them out of the water and start another war. That's not good judgment.
You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" I've never been in the depths of despair, so I can't say," responded Marilla. Weren't you? Well, did you ever try to IMAGINE you were in the depths of despair?" No, I didn't." Then I don't think you can understand what it's like. It's very uncomfortable a feeling indeed.
Come to the woods, for here is rest. There is no repose like that of the green deep woods.
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