A Quote by Thomas de Quincey

Out of the ruined lodge and forgotten mansion, bowers that are trodden under foot, and pleasure-houses that are dust, the poet calls up a palingenesis. — © Thomas de Quincey
Out of the ruined lodge and forgotten mansion, bowers that are trodden under foot, and pleasure-houses that are dust, the poet calls up a palingenesis.
Part of the pleasure of giving a reading comes from the rapport between the audience and the poet. I don't want to get mystical here, but there's an energy flow that begins with the poet, and the energy goes out to the audience, and they're energized, and then they return that energy to the poet. As someone standing up there alone, facing these people, I can feel that rapport (or its absence).
Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.
You think of yourself as a citizen of the universe. You think you belong to this world of dust and matter. Out of this dust you have created a personal image, and have forgotten about the essence of your true origin
By what strange law of mind is it that an idea long overlooked, and trodden under foot as a useless stone, suddenly sparkles out in new light, as a discovered diamond?
The trodden worm curls up. This testifies to its caution. It thus reduces its chances of being trodden upon again. In the language of morality: Humility.
O for a lodge in a garden of cucumbers! O for an iceberg or two at control! O for a vale that at midday the dew cumbers! O for a pleasure trip up to the pole!
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
When the shoe fits, the foot is forgotten. When the belt fits, the belly is forgotten. When the heart is right, "for" and "against" are forgotten. No drives, no compulsions, no needs, no attractions: Then your affairs are under control. You are a free man.
We seem to be young, in a very old Galaxy. We're like kids tiptoeing through a ruined mansion.
The living can't quit living because the world has turned terrible and people they love and need are killed. They can't because they don't. The light that shines into darkness and never goes out calls them on into life. It calls them back again into the great room. It calls them into their bodies and into the world, into whatever the world will require. It calls them into work and pleasure, goodness and beauty, and the company of other loved ones.
A poet is wounded into speech, and he examines these wounds, meticulously, to discover how to heal them. The bad poet harangues at the pain and yowls at the weapons that lacerate him; the great poet explores the inflamed lips of ruined flesh with ice-caked fingers, glittering and precise; but ultimately his poem is the echoing, dual voice reporting the damages.
One thing that I'm sure of is the real pleasure of life - it's not being known, it's not having your own jet plane, it's not having a mansion the pleasure is to learn something
I don't live like liberals in a 5,000 square foot mansion.
When the shoe fits, the foot is forgotten; when the belt fits, the belly is forgotten; when the heart is right, "for" and "against" are forgotten. There is no change in what is inside, no following what is outside, when the adjustment to events is comfortable. One begins with what is comfortable and never experiences what is uncomfortable, when one knows the comfort of forgetting what is comfortable.
I drive a car till it turns to dust, then I sweep up the dust and ride on the dust.
Depression - that limp word for the storm of black panic and half-demented malfunction - had over the years worked itself out in Charlotte's life in a curious pattern. Its onset was often imperceptible: like an assiduous housekeeper locking up a rambling mansion, it noiselessly went about and turned off, one by one, the mind's thousand small accesses to pleasure.
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