A Quote by Thomas De Witt Talmage

What may we expect of people who work all day and dance all night? After a while they will be thrown on society nervous, exhausted imbeciles. — © Thomas De Witt Talmage
What may we expect of people who work all day and dance all night? After a while they will be thrown on society nervous, exhausted imbeciles.
At the end of the day faith is a funny thing. It turns up when you don't really expect it. Its like one day you realize that the fairy tale may be slightly different than you dreamed. The castle, well, it may not be a castle. And its not so important happy ever after, just that its happy right now. See once in a while, once in a blue moon, people will surprise you , and once in a while people may even take your breath away.
That which once was, will be no more. Yesterday will never come again. To-day is passing, and will not return. You may work while it is day; but when you have lost that day, it will not return for you to work in. While your candle burns, you may make use of its light, but when it is done, it is too late to use it.
I'm always amazed by the people who work on stage who sing night after night, day after day, week in week out.
Day after day, night after night, my life at home is far from bright, but even home has more variety, than I can find in cafe society.
Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.
If you go and watch the way the primitive tribes live, you will know what work is in relation to celebration. They work the whole day so they can sing and dance with abandon at night.
What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
If you can, start your own business while you're working another job so that your bills get paid. Choose something that you love, so that when you're exhausted when you come home from work, you're actually looking forward to your 3 hours every night that you can apply to your business, either after your kids go to sleep or while they're watching TV or while they're doing their homework, however you can budget your time. Instead of a chore, choose something you love so you absolutely look forward to it.
I don't even think of myself as a quote, unquote star - that's really douchey. I think of myself as just like . . . a dance commander. You have to have dance parties all day and night, and you always have to be excited about having a dance party. You have to have a dance party in Milan one day, and then wake up and have a dance party at, like, four in the morning on national television in L.A. the next day. The hours are insane.
Our bones ache only while the flesh is on them. Stretch it as thin as the temple flesh of an ailing woman and still it serves to ache the bone and to move the bone about; and in like manner the night is a skin pulled over the head of day that the day may be in a torment. We will find no comfort until the night melts away; until the fury of the night rots out its fire.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
I love feeling exhausted after a good, hard, honest day's work.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
I have a work presently in the Press named 'Six Months in Hell' which you may one day read. I consider it will be worth perusing, bruising badly the morals of Britain and America, while Royalty, clergy, critics, society and bloodhounds of law must all incur its censure.
During a night shift, I'll work out twice during the day. If I have to work during the day, I usually have guys at the station who will work out with me. Then at night, I'll go train.
If you're dreaming of being a great soloist, walking on stage, receiving ovations night after night, having money thrown at you, girls chasing after you and your beautiful picture - that's wonderful. But what exactly does that have to do with the practice of music?
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