A Quote by Thomas Dolby
Well, you know, I mean, I first did my live shows in the late 70's and in those days I had a boatload of equipment that always seemed to be going wrong.
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When I first went on TV, to make you look like a successful woman you had to be ball-breaking. I remember looking at these shows and thinking 'I'm not sure that's me'. It seemed like you had to behave like a man - but I think that's all going to go down completely, that's not the way we're going to live.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
You gotta understand also that teenage kids just don't have the experience and the studio technique. I mean, in those days it wasn't electronic like it is today, where you can hit a drum and, you know, the engineer does it all. In those days, everything was live and you had to have decent sounds, and through the years you get to weed out what's bad and what's good.
But we made our own fun, mostly. I recall a time, many years later, when American children seemed unable to amuse themselves without a fortune in electrical and electronic equipment. We had no fancy equipment and did not miss it.
Enter Shikari are a mash-up of everything. I used to really love dubstep when they first came out. They had those amazing basslines, so I loved going to the live shows.
Serious accidents are frequently blamed on "human error." Yet careful analysis of such situations shows that the design or installation of the equipment has contributed significantly to the problems. The design team or installers did not pay sufficient attention to the needs of those who would be using the equipment, so confusion or error was almost unavoidable.
I definitely prefer intimate crowds. I mean, those are always the best shows, like, a small venue. Packed to the gills. Hot, sweaty. Those are always the fun shows.
I had no fear 'cause it seemed everyone in the audience always applauded whatever I did. Course, maybe it was because I always seemed to know everyone in the audience.
Having a baby had always seemed the easiest and most natural thing to do, and I had never felt - even in my most furtive days of coming out - that being gay would mean I could not become a mother.
When I walk up on that shore in Florida, I want millions of those AARP sisters and brothers to look at me and say, 'I'm going to go write that novel I thought it was too late to do. I'm going to go work in Africa on that farm that those people need help at. I'm going to adopt a child. It's not too late, I can still live my dreams.'
Well, we're still in the middle of it. And it doesn't show any sign of going away. And these attacks that were - that seemed so odd at the time, with "Satanic Verses," because we didn't have any context for this. You know, where did that come from? It seemed to come out of nowhere.
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
I've always competed in those shows. Like, I won 'Fear Factor', I did 'I'm a Celebrity Get Me Out of Here', I did 'The Mole', 'Celebrity Apprentice' with Donald Trump. I've done a lot of those shows, all in the hope of being a blessing to my mom's organization.
The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.
We had this realisation that we'd sort of travelled from my bedroom to America and all these people are watching us and that was awesome. 11 shows in 5 days I mean if we weren't going out, we were on stage, it was huge.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
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