A Quote by Thomas Dooley

A lot of kids do not know my club exists yet. I did not do any big advertising, and that's what I might do in the next two or three weeks, put something in the paper. — © Thomas Dooley
A lot of kids do not know my club exists yet. I did not do any big advertising, and that's what I might do in the next two or three weeks, put something in the paper.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
I like photographing women who appear to know something of life. I recently did a session with a great beauty, a movie star in in her thirties. I photographed her twice within three weeks and the second time I said: "You're much more beautiful today than you were three weeks ago." And she replied: "But I'm also three weeks older.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
Just because you have kids doesn't mean to say you need time off. I have a lot of time off anyway. If I'm promoting my book, like, for the next two weeks, I'm flat out. But then I'm off again. And when you've got the next product, it's the same; you just condense it into a couple of weeks.
All of the little entries in 'The Cows' were written in an irregular way. There might be one or two done one day, and then two weeks might go by or four weeks, and then they were put in an order or sequence.
Don't ever spend more than three weeks apart. Two and a half weeks, maybe three, was the longest we ever did.
I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."
The thing about advertising is that you make more money. You can put kids through college so they don't come out with loans. My kids don't, and my grandkids don't, and advertising paid for that.
Once you been listening to the same CD for, like, two weeks, three weeks, it get old to you. You need something new.
We think about a lot of things that we want to do and sometimes it might feel like, you know, it's not even possible, that we can't really achieve that. But I think it's really important to let kids know, starting from when they're young, that if they put their mind to something and put the time in, they can definitely achieve it.
We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
I wanted to stimulate thought instead of throwing things out or try to give a perspective. I just put stuff up and it's up for two or three weeks and I get tired of it, so I take it down and put something else up.
It's not unusual to have only three weeks to score a picture. And that's three weeks from signing on to finishing the last recording session. That's how I did 'The Queen' and, more recently, it's how I did 'The Imitation Game.'
I found out I was joining Bullet Club and going to New Japan and had probably two or three weeks to get ready for that.
That's the reality of it. Everybody has a big two or three. The health of those big two or three ... there's a lot riding on it.
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