A Quote by Thomas Ferguson
Most election analysts in the U.S. habitually confuse the sound of money talking with the voice of the people.
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When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.
When the kirtan is harmonious with so many people, it’s a tumultuous beautiful sound. We can’t hear just one voice during the chorus; or rather we do hear one voice. But that one voice is actually the sound of everyone’s voice in harmony. That’s our offering to God. And why is it so pleasing to the Lord? Because we are all cooperating for a higher purpose. We are all united for the pleasure of the center, for the pleasure of Krishna, in spite of all our differences.
Having consumed election influence intelligence across various analytic communities, it is clear to me that different groups of analysts who focus on election threats from different countries are using different terminology to communicate the same malign actions.
You know, I have got quite a husky, gritty voice which people say - even when I'm talking nicely - does sound a bit rough.
Politicians need money at election time and money to get the vote. Well, more than half of money in election comes from corporate interests whose interests are in polluting the Chinese environment and making products.
I think Romney's talking himself out of the election, to be honest. I was wondering what was gonna happen when the Republican power structure turned the money on, and then they turned on the money and nothing happened.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic - here on Sixth Avenue, for instance - I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don’t need sound to talk to me.
[Middleton] contended that the religious leaders of the fourth century had admitted, eulogised, and habitually acted upon principles that were diametrically opposed, not simply to the aspirations of a transcendent sanctity, but to the dictates of the most common honesty. He showed that they had applauded falsehood, that they had practised the most wholesale forgery, that they had habitually and grossly falsified history, that they had adopted to the fullest extent the system of pious frauds, and that they continually employed them to stimulate the devotion of the people.
Absolutely I'm going to be talking about it, because it's in the zeitgeist and it's happening. It's an election year. It's the biggest election. Every election is a big election, so whenever anybody says that it kinds of grates me, but it's a fiasco. It's turned into a complete circus act, so of course you have to make fun of it, but responsible journalists definitely are being irresponsible. They're giving [Donald Trump] so much air time.
You are born with a sound; everyone is, less or more. And this sound has to be developed. I am not talking about vocal technique; I am not talking about how to sing. I am talking about how to produce a sound.
Big money buys access in Washington, and access purchases influence. It is as simple as that. And they have basically given a green light, a further green light, after Citizens United, to the biggest money to have the bigger voice in our politics, and to sound out and drown out the voice of just ordinary citizens.
I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it's me. You don't confuse my voice with another voice.
Of all the classes of men, I dislike the most those who make their livings by talking - actors, clergymen, politicians, pedagogues, and so on. .... It is almost impossible to imagine a talker who sticks to the facts. Carried away by the sound of his own voice and the applause from the groundlings, he makes inevitably the jump from logic to mere rhetoric.
You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.
Most of my writing friends are working in academia. Most of my business school friends are always talking about bringing companies public, and money, and making money, and lots and lots of money. It's just a different environment.
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