A Quote by Thomas Friedman
My mom enlisted in the U.S. Navy in World War II, and my parents actually bought our home thanks to the loan she got through the GI Bill.
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My grandmother is British. She was in the Women's Auxiliary Air Force during World War II. That's where she met my grandfather, who was sailing for the British Royal Navy. She was a war bride.
Growing up in the shadow of Johnson Space Center and moving to Texas to welcome our last moon mission home, I wanted to be an astronaut. Combined with my love for Navy history and World War II flight ops, and unsatisfying degrees in college and law school, I joined the Navy and became a naval aviator.
Marcelo Garcia is one of those fighters who trains with no-gi, and is also great with gi. When you train with no-gi you actually get better with gi too. I am spending all the time on no-gi, so it becomes a different animal.
Americans, particularly after World War II, tended to romanticize war because in World War II our cause was the cause of humanity, and our soldiers brought home glory and victory, and thank God that they did. But it led us to romanticize it to some extent.
However, there is a fundamental difference between the issue related to Japan's history and our negotiations with China. What is it all about? The Japanese issue resulted from World War II and is stipulated in the international instruments on the outcomes of World War II, while our discussions on border issues with our Chinese counterparts have nothing to do with World War II or any other military conflicts. This is the first, or rather, I should say, the second point.
In America, we then made a commitment, particularly after World War II with the GI Bill, to massively expand our commitment to college education, and that meant we had more engineers and we had more scientists and that meant we had better technology, which meant that we were more productive and we could succeed in the global marketplace.
America and the world have been great beneficiaries of the forward presence of the United States Navy around the globe since the end of World War II. The U.S. Navy has been a key foundation of this Pax Americana.
My mother is Turtle Mountain Chippewa, and she lived on her home reservation. My father taught there. He had just been discharged from the Air Force. He went to school on the GI Bill and got his teaching credentials. He is adventurous - he worked his way through Alaska at age seventeen and paid for his living expenses by winning at the poker table.
We know that from the GI Bill after the Second World War, where Congress found that for every dollar we put in as taxpayers into free higher education for returning GIs, we got back $7 for every dollar invested. An enormous return on our money in public benefits and improved revenue.
American soldiers wore khaki uniforms during World War II. Men's khaki trousers became fashionable after the war, as homecoming GI's decided to continue wearing the soft, comfortable pants in their civilian capacities.
I needed to join the Navy. If you ask the people in Europe who won World War II, they don't say the Allies, they say the United States won the war and saved the world.
If we were building our navy, rather than reducing our navy to pre-World War I levels, China would not be thinking about increasing its navy to take over the South China Sea.
But I felt it necessary to be part of the war effort and I enlisted in the Navy to be a flyer.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.
From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
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