A Quote by Thomas Gainsborough
Though I'm a rogue in talking upon Painting & Love I can be serious and honest upon any subject thoroughly pleasing to me.
Related Quotes
Almost as though the painting itself becomes the embodiment of a type of struggle for visibility, and this might be considered the main subject of the painting.
I have thoroughly gone through the subject of the Incarnation; and if it served you, could at any time give you the history from the beginning of the controversies on this subject, and of its present form.
We can love an honest rogue, but what is more offensive than a false saint?
In any combat between a rogue and a fool the sympathy of mankind is always with the rogue.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
Has it ever happened to you that you actually like a rogue more than a so-called honest citizen? Have you ever wondered why? I believe that this can only be so because a rogue is more original and more his own. He is what he is.
I make my living talking about serious subject matter, but I'm a weirdo.
I don't think it's necessary for artists to have any formal training in painting or art history, but I do think it's essential to continually experiment with different subject matter, types of paint and methods of painting.
I guess what Kenny Omega is, even though the image is something that was given to me by New Japan and then tweaked by me, it's just me, Tyson Smith. Yeah, that's me, just a guy that likes to joke around when he doesn't have to be serious. And when he has to be serious, he's really serious!
Talking to people is important to me as someone who has cerebral palsy. I know what it's like to have people not talking to me because they are scared they would ask the wrong question, but I would rather have an honest dialogue as long as it comes from an honest place.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
Your poems are rather hard to understand, whereas your paintings are so easy. Easy? Of course - you paint flowers and girls and sunsets; things that everybody understands. I never met him. Who? Everybody. Did you ever hear of nonrepresentational painting? I am. Pardon me? I am a painter, and painting is nonrepresentational. Not all painting. No: housepainting is representational. And what does a housepainter represent? Ten dollars an hour. In other words, you don't want to be serious - It takes two to be serious.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
Any writer overwhelmingly honest about pleasing himself is almost sure to please others.
I paint, and painting gives me my much needed break from my routine. Painting was a subject in my school, and I developed a liking for the lines and colours and started practising in my free time. It helps me de-stress amidst my hectic shooting schedules.
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