A Quote by Thomas Gibson

My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy. — © Thomas Gibson
My two boys have each done a play. They've done school plays as well, but one of them did a local production of 'Waiting For Godot,' and he played the boy.
When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
'Waiting for Godot,' when it first came out in 1950, was a very different sort of play to the plays that were in the West End at that time in London, because most of those plays were what we call drawing-room comedies.
I've done two 'Hamlets,' two 'Lears,' three 'Midsummer Night's Dreams' - I've done most of these plays more than once, and every time I direct them, I learn things.
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity. If I'd been in a school play, I'd probably have sneezed and messed everything up.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
Had I not done Shakespeare, Pinter, Moliere and things such as 'Godspell' - I played Judas in a hugely successful production before I did 'Elm Street' - I'd probably be on a psychiatrist's couch saying: 'Freddy ruined me.' But I'd already done 13 movies and years of non-stop theatre.
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
I'd done plays in middle school, done some for the church in high school, but I had no intention of ever being a professional actor.
My first school play was 'Perkin and the Pastry Cook' that my primary school put on, and I played a boy, and it was so much fun, and I'd love to play a boy again. I think that would be great.
What are we waiting for? Why is Jesus waiting in heaven at the right hand of the Father? Who is He waiting for? He is waiting for you and me to become mature, for the Bride of Christ to become mature, so that He can come again. Did you know that God has done everything He can do? If anything else is going to be done, we're going to do it.
I've always been the local lad, boy done well, kid next door.
Like, I played baseball with all boys. They didn't want to play catch with me. I mean, it's the story of everything I've done.
I did one or two plays at school. Once I played a tree, so I never thought I would be a good actor.
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity.
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