A Quote by Thomas Gibson

You can't substitute the act of making people laugh. It's definitely something that actors like to do. — © Thomas Gibson
You can't substitute the act of making people laugh. It's definitely something that actors like to do.
Love always seeks for betterment, for ways of making life more workable, joyful, whole, and beautiful. Love examines every option available to bring about an improvement in life. This kind of discernment is an act of decency, not an act of judgment. Rigid philosophies of judgment will seek to establish structure as a substitute for decency, control as a substitute for trust, and the mind as a substitute for higher awareness.
I always knew I wanted to do comedy. I like making people laugh. I started out young just making my family laugh and trying to make kids laugh in school and getting into plays. I think it's the only thing I know how to do so hopefully it works out.
What I strive to do is to make the theater experience something that people remember and recall rather than dismiss because it was less like their everyday experiences. So, I'm less interested in internal emotionalism and much more in making the audience laugh and cry by the devices that we use as theater actors.
A lot of thought goes into making people laugh. Comedy is never easy. Making people cry is easier than making them laugh.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
I have been so busy making people laugh with my acting, so I thought why not direct something and make my audience laugh more.
I'm definitely not making movies solely for myself. That's something that I hear people say in the past, all they care about is that they like what they're making. They don't care what other people think. I think that's a disservice to the project and to the people that are working on it.
There are so many actors that I meet that don't act enough. Definitely take class, definitely train - that's the most important thing you do. Build your craft. Become better.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
In a way. Magic is the act of making a wish come about. Like praying, like plotting, like herbs, like exerting your will on the world, making something happen.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
One of the things I love about music and making beats is making something and watching someone's reaction, knowing you can do something to manipulate the way people move or act.
I love to improvise, but I always thought "Man, it's like the final frontier for improvisational actors, to really go for something emotional, something that's not just chasing the laugh."
I'm an entertainer first. But I do as a stand up comedian, the way for me to evolve is to make a difference, to make people laugh and learn and do something different. Because there's too many comedians out there just making people laugh. And anybody can do that.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
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