A Quote by Thomas Gibson
I remember driving home from a movie - it wasn't 'Halloween' but another one, maybe the original 'Omen' - and I dropped my friends off, and it was also broad daylight, and yet I was sure that, like, Damien was in the backseat or something like that.
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The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."
And doing so you can recreate yourself and you can also come up with something that is not only original and creative and artistic, but also maybe even decent, or moral if I can use words like that, or something that's like basically good.
Roy Keane is Damien, the devil incarnate off the film The Omen. He's evil. Even in training.
It was daylight and I drove everyone home - I was driving a Mini with John and Cynthia and Pattie in it. I seem to remember we were doing eighteen miles an hour and I was really concentrating - because some of the time I just felt normal and then, before I knew where I was, it was all crazy again. Anyway, we got home safe and sound, and somewhere down the line John and Cynthia got home. I went to bed and lay there for, like, three years.
That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that...they say anything's possible, right?
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
I remember what it feels like to be fourteen or sixteen, to have the world folded out in front of you, and to have a million choices ahead. I also remember what it feels like to be so open and impressionable and to want something so badly it's impossible to see that maybe it isn't the best thing for you.
I came from a Halloween-friendly home. My dad, Spencer, was a U.S. Marine captain. But when it came to Halloween, my dad had a soft spot. He would take his three sons and friends on escapades on Halloween night.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
I feel like being an actor it is a great way to do your job and be a parent, because you have a lot of freedom. You have a job and then the job ends and than maybe you don't have another job for a while or maybe you chose not have another job for a while. For an actor, it's like maybe you don't see your kid for two weeks while you are filming but then you might have three months off where you are at home every day and picking him up from school. I find it's a great thing.
I remember flying in, driving down 101 in a cab, and passing by all these tech companies like Yahoo! I remember thinking, 'Maybe someday we'll build a company. This probably isn't it, but one day we will.'
Part of the fun of the movie is understanding exactly why we called it Prometheus. And also, it sounds really pretentious, like Inception, so we were just like, "Yeah, that makes the movie sound really smart!" It's so much better then my original title, Explosion. Well, there might be an explosion in the movie.
I have no deep-seated desire to be famous; that's not what's driving me, so if it's something I don't want to do, I don't do it. Maybe it's stubborn, but any choices, if you don't like them, yell at me, because it for sure was my bad.
You always know when one of the first ["Harry Potter" movies] are on TV, because you'll get a text message from one of your friends saying, "How high was your voice?" It's like watching a home movie, in some sense. But you just remember because the audience sees the scenes as they're written, but we remember shooting [the scenes] and all the stories that came around it. Like the Quidditch World Cup in ["Harry Potter and the] Goblet of Fire," it's like the Glastonbury Festival at Leavesden [Studios].
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