A Quote by Thomas Gibson

Prague is not rife in Asian culture. — © Thomas Gibson
Prague is not rife in Asian culture.
The AMA virtually stopped the Rife treatment in 1939, first by threatening the physicians using Rife's instrument, then by forcing Rife into court....During the period 1935 to early 1939, the leading laboratory for electronic or energy medicine in the USA, in New Jersy, was independently verifying Rife's discoveries...(this) laboratory was "mysteriously" burned to the ground.....Rife's treatment was ruthlessly suppressed by the AMA's Morris Fishbein.
People don't think that bread is part of Asian culture or Asian food culture, but it's quite prevalent in Northern China, and you see it throughout Japan and as you go to Taiwan.
Years ago, there was one Asian person in a soap and the entire Asian acting community was going for that role. Now, you can find a few different Asian people, and their character isn't entirely based on their religion or culture: they just happen to be in a soap.
In 1913, the noted German actor and director Paul Wegener was making a film in Prague when he heard the legend of Rabbi Loew, who created a golem to protect the inhabitants of the Prague ghetto from persecution.
I've done a lot of books with Asian antecedents to them - some of my fantasy novels have been that way, and certainly in the 'Battletech' universe, there's a lot of Asian culture in that.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
Usually when you're Asian and you're on set, you're the only Asian there. Either you're the token Asian or you're the Asian sidekick.
"Culture" is a new phenomenon, I believe. Culture is the new religion. People treat you based upon your culture. You are pushed to describe yourself by your culture: Kurdish or Turkish? Left wing or right wing? Progressive or conservative? Westerner or Easterner? European or Asian? So we have a label ready for you.
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.
Definitely the Korean culture is very strong to me, and I grew up in Hawaii where Asian-Americans are the dominant culture, but I never thought of myself as the minority.
These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
I've lived 16, 17 years of my life in Asia, and that's most of my life. I was born in Asia - I've lived cultures that are synonymous with Asian culture - but it's still not Asian enough for some people.
I wanted to try to create characters that happen to be Asian but who are pretty different from those we generally see in our culture, in our commercial culture.
When you're the only Asian in the room, the last thing you want to do is to point out you're Asian. And be the Asian dude.
There are no Asian leading men in Hollywood. There's not an Asian Ryan Gosling or an Asian Brad Pitt.
And so it became a priority for me to make sure that all Asian Canadians or Asian Americans or wherever you are, Asian Australians, felt like they belonged.
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