A Quote by Thomas Gibson

I don't really believe in closure. That's something that writers talk about or people wished that they had. — © Thomas Gibson
I don't really believe in closure. That's something that writers talk about or people wished that they had.
I listened to my kids talk about me as a parent, and I learned about things they wished I'd done and said. And I wished that I had done more of those things.
It's interesting when you talk to someone who has really been through something very, very terrible. They are less likely to talk about it. People who have had a bad day because their soup was cold can talk about their 'suffering' all day long.
Well, I don't want to talk too much about my children, but a friend of one of my children, something really terrible happened to her. I just felt like I had to speak about growing up again, because I felt that there's no way I can talk about difficulties of life. I had to talk about possibilities.
I truly believe that closure doesn't need to come from the other person. You can always get closure from yourself.
I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
I can sit in the room with the other writers and just keep saying no until there's something I really like or until I come up with something. In that respect the proportion of what's mine and what's other people's is controlled by me. It isn't even fair to talk about.
I think that's also why it's so exciting. I really believe this play is important these are issues that people don't talk about. Certainly they never talked about this type of thing at my high school. That's what makes it so hard for kids. But it is something that people do go through.
I've wished for things and never really had the chance...It's time to stop dreaming and do something about it. You've got to know what you want, then...go.
You do what you have to do to give people closure; it makes them feel better and it doesn't cost you much to do it. I'd rather apologize for something I didn't really care about and leave someone on Earth wishing me well.
People will say to me, "Well, nobody really believes this stuff." But as a reporter I go out and talk to people who do believe it. And they can talk about it for hours.
Writers only think they are interested in politics, they are not really, it gives them a chance to talk and writers like to talk but really no real writer is really interested in politics.
I never really like it when other writers talk about coming in behind people and rewriting.
My dad's whole family is in Madras and I was born in America so we didn't have that big Indian community. I don't really have anything interesting to say about it. When I talk about it people are like, 'meh, let's talk about something else.'
If we do change anything, we always talk about it beforehand. It's not really fair to throw things at the director on the day, unless it's a small note such as re-phrasing something. But if it's large, we always talk to the director. But we seldom do that out of respect for the writers because, for the most part, they do such a great job.
I'm not interested in leaving it open-ended. That would just cause me frustration. I wouldn't be satisfied. What's really cool about Fringe, and one of the things we did do right, was that the way we chose to tell the story was that, with every season, there was a closure and then a new chapter. That allowed us to actually make the closure.
It was always about the future of writers, and about the way writers are treated in the future, and I think that was really hurtful to a lot of people in my position who had 160 people who depended on them to get this over with. So there was a lot of pain in it, and in that sense it will never be worth it, but I do think it was important.
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