A Quote by Thomas Gray
The Attic warbler pours her throat, Responsive to the cuckoo's note, The untaught harmony of spring.
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Spring, the sweet Spring, is the year's pleasant king;
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing-
Cuckoo, jug-jug, pu-we, to-witta-woo!
The palm and may make country houses gay,
Lambs frisk and play, the shepherds pipe all day,
And we hear aye birds tune this merry lay-
Cuckoo, jug-jug, pu-we, to-witta-woo!
The fields breathe sweet, the daisies kiss our feet,
Young lovers meet, old wives a-sunning sit,
In every street these tunes our ears do greet-
Cuckoo, jug-jug, pu-we, to-witta-woo!
Spring, the sweet Spring!
She can play my guitar note for note, she likes to stick her tongue down my throat.
When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo; O, word of fear, Unpleasing to a married ear.
As far as I'm concerned, the more power we push back to the patient, the individual, the American citizen, the more responsive the system is to her needs. 'Obamacare,is responsive' is like a hammer is responsive to a piece of glass.
The silver swan, who, living had no note, When death approached unlocked her silent throat.
Spring, of all seasons most gratuitous,
Is fold of untaught flower, is race of water,
Is earth's most multiple, excited daughter;
And those she has least use for see her best,
Their paths grown craven and circuitous,
Their visions mountain-clear, their needs immodest.
the breed is more than the pasture. As you know, the cuckoo lays her eggs in any bird's nest; it may be hatched among blackbirds or robins or thrushes, but it is always a cuckoo. ... a man cannot deliver himself from his ancestors.
Spring, the sweet spring, is the year's pleasant king;
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing.
Cuckoo, jug-jug, pu-we, to-witta-woo!
The course of the seasons is a piece of clockwork, with a cuckoo to call when it is spring.
The silver Swan, who, living, had no Note, when Death approached, unlocked her silent throat. Leaning her breast upon the reedy shore, thus sang her first and last, and sang no more: 'Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.'
From out the peaceful hollow of its throat / such music pours as I am unaware / how to devise. I did not think these things. / It is the reed that sings.
Is life worth living? Yes, so long As Spring revives the year, And hails us with the cuckoo's song, To show that she is here.
You will find a spring by the dwelling of the dead, to the left. Next to it stands a white cypress. Do not approach that spring, do not go near it. You will find another spring that pours from the lake of Memory, cool water gushes out of it. There are guards in front of it. Address these words to them: I am daughter of the earth and the star-covered Sky, and I descend from the Sky; and that you know; I burn and die of thirst; let me drink quickly of the cool water that gushes from the lake of Memory. And they will allow you to drink from the sacred spring.
From harmony, from heavenly harmony, This universal frame began: When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, 'Arise, ye more than dead!' Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
The wife whose sweetly given reply in the face of any problem would be, "Whatever you think is best, dear." Women, take note: a wife like that never needs to fear bubbling away the last of her life through a cut throat.
He took her by the shoulders and pulled her closer to him, his fingers knotting in the fabric of her dress. Even more than in the attic, she felt caught in the eddy of a powerful wave that threatened to pull her over and under, to crush and break her, to wear her down to softness as the sea might wear down a piece of glass.
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