A Quote by Thomas Haden Church

Look at the Native American culture. They revere the elders. — © Thomas Haden Church
Look at the Native American culture. They revere the elders.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
One of the things I've been taught by Native American elders is the importance of patience, of waiting to do things when the time is right.
When you start to look at Native American history, you realize that, very far from being a peaceful, morally superior people, Native Americans were not that different from Europeans.
Instead of kids just hearing about beads and baskets and fringe, and about what 'was' and 'were,' we present Native American culture as a living contemporary culture.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
One of the things I've been taught by Native American elders is the importance of patience, of waiting to do things when the time is right. As an Onondaga friend put it to me, "you can't pick berries until the berries are ripe."
I think most Native American literature is unreadable by the vast majority of Native Americans. Generally speaking Indians don't read books. It's not a book culture. That's why I'm trying to make movies. Indians go to movies; Indians own video recorders.
The Justice Department ruled that Native American tribes are allowed to grow and sell marijuana on reservations. This decision was hailed as a victory by Native American leader Giggling Eagle.
From my teenage years on, I sought out Native elders from many tribal nations and listened to their words. I also started a small press, The Greenfield Review Press, and became very involved with publishing the work of other American Indian authors, especially books of poetry.
The western has always been, for me, the bread and butter. It's the easiest place for an identifiable Native American to be able to work. But I do yearn to be known as an actor rather than a 'Native American actor.'
My family is Native American, and I was raised with Native American ceremonies.
I have four relatively small children, and around fourth grade, they start doing big projects on Native Americas: everything is Native Americans in elementary school. Do you know how many Native American dresses I've sewn, on and on; it's a full yearlong study. And then never again. As journalists, we never even cover Native Americans.
You'd never know it from reading the rest of the Native writers, but Indians actually grew up with American pop culture.
Whether you look at 'Glee' and its normalization of gay identity or you look at the work of Martin Scorsese and the Italian-American community, American culture is able to take these stories, which are seen as marginalized, and just turn them into American stories. And you don't think twice about it.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
We have a funny concept of time in this culture. We revere it as we revere money, yet we rarely spend any of it on ourselves. We complain that we can't make what time we have go around, yet day after day we spend our allotment doing things we don't really want to be doing.
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