A Quote by Thomas Hardy
People go on marrying because they can't resist natural forces, although many of them may know perfectly well that they are possibly buying a month's pleasure with a life's discomfort.
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Being an ordinary scientist and an ordinary Christian seems perfectly natural to me. It is also perfectly natural for the many scientists I know who are also people of deep religious faith.
Whatever you resist you become. If you resist anger, you are always angry. If you resist sadness, you are always sad. If you resist suffering, you are always suffering. If you resist confusion,you are always confused. We think that we resist certain states because they are there, but actually they are there because we resist them.
Buy less. Choose well. Make it last. Quality, not quantity. Everybody’s buying far too many clothesI mean, I know I’m lucky, I can just take things and borrow them and I’m just okay, but I hate having too many clothes. And I think that poor people should be even more careful. It doesn't mean therefore you have to just buy anything cheap. Instead of buying six things, buy one thing that you really like. Don't keep buying just for the sake of it.
Marrying a man is like buying something you've been admiring for a long time in a shop window. You may love it when you get it home, but it doesn't always go with everything else in the house.
Clever people seem not to feel the natural pleasure of bewilderment, and are always answering questions when the chief relish of a life is to go on asking them.
How many deaf people do you know in real life? Unless they live in a cave, or are 14, which seems to be true for most people in this business, what could I possibly tell them that they don't already know?
I know as well as any one, [the devil] is an adversary, whom if we resist, he will fly from us--but I seldom resist him at all; from a terror, that though I may conquer, I may still get a hurt in the combat--soinstead of thinking to make him fly, I generally fly myself.
Britney Spears and Christina Aguilera are doing pretty well at getting noticed - a lot of people are doing pretty well at it. But you wonder whether they'll last, because many of them don't have the ability to get an audience to love them. You say, "That's a fabulous body" or "I like that song"; you don't say, "I love them because I know them." You can't know them.
I traveled for seven years, and when I came back home I was completely lost. I didn't know what to do with my life, so I decided to let people decide for me. For month I followed strangers on the street. For the pleasure of following, not because the party interested me. I photographed them without their knowledge, took note of their movements, and finally lost sight of them. At the end of January 1980, I chose a man and followed him to Venice. That's how I started. That's all.
In the novel we can know people perfectly, and, apart from the general pleasure of reading, we can find here a compensation for their dimness in life.
I don't go out at all. I have my three restaurants that I go to, and that's it. I spend the least possibly time here on-site because that takes energy away as well. There is a lot of people, you know. It's massive kind of stadium, a lot of players.
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
I don't know if it's unique, but I know many Korean American people of my generation who want to know about their grandparents' lives in Korea, but their family members won't tell them because it's too painful. But my grandmother is just a natural storyteller, and she very openly spoke about really difficult times in her life.
We often hear that people mean well: that so many just don't how to interact with people with disabilities. They're unsure of the 'right' reaction, so they default to condescension that makes them feel better in the face of their discomfort.
If you represent a fantasy for the people who actually go to the cinema, they grab that and go with it; therefore, for the rest of their lives, they actually identify you with a certain thinking - a certain philosophy. There are many actors who want to pursue that same thought in real life as well, and that's perfectly acceptable.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
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